This week is a mix of old and new: old studio releases [all at least a decade old], and new bootlegs [all from 2008].

• R.E.M.’s Murmur.
  
• George Strait’s Does Fort Worth Ever Cross Your Mind.
  
• The Cardigans’ Emmerdale.
  
• 25 Apr 2008 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2008-04-25: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2008-04-25: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 28 Apr 2008 [Los Angeles, CA, USA] concert bootleg of She & Him. 2008-04-28: Vista Theatre, Los Angeles, CA, USA.
  
• 16 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. 2008-05-16: The Pageant, St. Louis, MO, USA (disc 1) and 2008-05-16: The Pageant, St. Louis, MO, USA (disc 2).
  
• 25 Jul 2008 [Santa Monica, CA, USA] concert bootleg of Gnarls Barkley. 2008-07-25: Morning Becomes Eclectic, KCRW-FM, Santa Monica, CA, USA.
  

Last week:

• Iron and Wine’s The Shepherd’s Dog. I hadn’t really, really loved any of Sam Beam’s previous work; this, however, sparkles. Four-and-a-half stars.
  
• Gnarls Barkley’s The Odd Couple. Fan-damn-tastic. Four stars.
  
• Dr. Dre’s The Chronic. Three stars. [I blame listening to Girl Talk on getting this.]
  
• 8 Nov 1992 [Chicago, IL, USA] concert bootleg of Uncle Tupelo. A surprisingly good recording, given the age. Three-and-a-half stars.
  
• 16 Mar 2007 [Dayton, OH, USA] concert bootleg of Over the Rhine. Your standard kick-ass OtR@CST show. Four stars.
  
• 15 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. Three stars. Solid but unspectacular.
  
• 3 Jun 2008 [Paris, France] concert bootleg of Feist. It’s a bit treble-y and feels weak, but it has good crowd capture, which to me is something that you want [because, otherwise, it's a one-off rendition of songs you've heard before; this is why I'm not the biggest fan of soundboards]. Two-and-a-half stars.
  

The new label releases this week are things I’d always meant to get but just hadn’t … probably because I needed some downtime to get them.

• Wilco’s Kicking Television.
  
• Son Volt’s Straightaways.
  
• 15 May 1997 [Portland, OR, USA] concert bootleg of Elliott Smith. 1997-05-15: EJ's, Portland, OR, USA
• Wilco’s Yankee Hotel Foxtrot engineering demos. [I figured I'd forego a true bootleg this week since I had a Wilco live record to digest.] Yankee Hotel Foxtrot Engineer Demos
• 5 Jun 2006 [Charlotte, NC, USA] concert bootleg of Over the Rhine. This is the second recording I ever made. 2006-06-05: The Neighborhood Theatre, Charlotte, NC, USA
  
• 29 Sep 2006 [Knoxville, TN, USA] concert bootleg of the Square Pegs in the Round. 2006-09-29: 7:00 p.m. show, New City Cafe, Knoxville, TN, USA (disc 1) and 2006-09-29: 7:00 p.m. show, New City Cafe, Knoxville, TN, USA (disc 2).
• 7 Jul 2007 [Hollywood, CA, USA] concert bootleg of Andrew Bird. 2007-07-07: Hollywood Bowl, Hollywood, CA, USA.
  

Last week:

• She and Him’s Volume One. I love it. There are spots where it wears on me a bit from sameness, but I’ll talk that more in the inaugural IJSMCast, I believe. Four stars.
  
• My Brightest Diamond’s Tear It Down. None of this was bad, but none of them were outstanding. Three stars.
  
• 6 May 1997 [Santa Monica, CA, USA] concert bootleg of Elliott Smith. I sit and listen to the interviews here, and I just want to give Elliott a hug. He sounds so down. But the recording is very good. Four stars.
• 1 Dec 2001 [Lynchburg, VA, USA] concert bootleg of Andrew Peterson. It’s solid but unspectacular. Three stars.
• 3 Jun 2006 [Atlanta, GA, USA] concert bootleg of Over the Rhine. This is my very first bootleg recording, and … it shows. Two stars. :cringe: But the solo on “When I Go” sounds pretty good.
  
• 17 Jan 2008 [Chicago, IL, USA] concert bootleg of Son Volt. After having a great Son Volt recording previously, this returned back to the “meh” realm. Two-and-a-half stars.
  
• 20 Feb 2008 [Chicago, IL, USA] concert bootleg of Wilco. A fantastic end to a fine, fine residency. Four-and-a-half stars.
  

This week sees a couple long-awaited studio releases for me: one that just hit the streets, and another that I just never got around to getting:

• She and Him’s Volume One. I love M. Ward, so you had to figure that I’d get his collaboration with Zooey Deschanel.
  
• My Brightest Diamond’s Tear It Down. I love Shara Worden’s voice, and I loved Bring Me the Workhorse. So, why not get an album of remixes of that album? Fun times.
  
• 6 May 1997 [Santa Monica, CA, USA] concert bootleg of Elliott Smith. 1997-05-06: Morning Becomes Eclectic, KCRW-FM, Santa Monica, CA, USA
• 1 Dec 2001 [Lynchburg, VA, USA] concert bootleg of Andrew Peterson. 2001-12-01: West Lynchburg Baptist Church, Lynchburg, VA, USA and 2001-12-01: West Lynchburg Baptist Church, Lynchburg, VA, USA.
• 3 Jun 2006 [Atlanta, GA, USA] concert bootleg of Over the Rhine. 2006-06-03: The Variety Playhouse, Atlanta, GA, USA (disc 1) and 2006-06-03: The Variety Playhouse, Atlanta, GA, USA (disc 2).
  
• 17 Jan 2008 [Chicago, IL, USA] concert bootleg of Son Volt. 2008-01-17: House of Blues, Chicago, IL, USA.
  
• 20 Feb 2008 [Chicago, IL, USA] concert bootleg of Wilco. Last night of the residency at the Riv. 2008-02-20: Riviera Theatre, Chicago, IL, USA (disc 1) and 2008-02-20: Riviera Theatre, Chicago, IL, USA (disc 2).
  

Last week:

• Alli Rogers’s You and the Evening Sky. Is it legal to say that you don’t like Don Chaffer’s production? [I kiddingly ask, but only because I have friends who are both fans and fellow musicians with the male half of Waterdeep, and well ... they all might string me up.] But I hear the production on “Carry a Light” and am … sorta turned off. But I guess I’m wrapped up in this visage of Alli as this guitar-bearing songstress … which she is, but that doesn’t stand up to being very interesting for 13 tracks on a CD, even for the best singer/songwriters. But it gets better from there; I really like what he does with the rest of the record. “At Sea” and “The Things We Can and Cannot Keep” are, for me, the highlights. Four stars.
  
• 30 Mar 1996 [New York, NY, USA] concert bootleg of Elliott Smith. Admittedly, I’m blessed with the awesomeness that is the present era of concert bootlegging, but even for the era and technology, this is a pretty meh show. Two stars.
• 18 Sep 2004 [North Olmsted, OH, USA] concert bootleg of The Weepies. Highly, highly recommended! Sounds fantastic, even for being a soundboard. [I typically find SBDs to be flat and lifeless.] Four-and-a-half stars.
  
• 4 May 2007 [Portland, OR, USA] concert bootleg of Andrew Bird. Oh my, this recording’s terrible. This is only recommended for completionists. Two stars, barely.
  
• 8 Jun 2007 [Nashville, TN, USA] concert bootleg of Over the Rhine. Noisy, indistinct, and overly bassy. One of these years, I’m gonna record them in that room and it’ll sound fantastic. Maybe I won’t have a terrible cough, either. Two-and-a-half stars.
  
• 5 Oct 2007 [London, England] concert bootleg of Son Volt. What the heck? A Son Volt bootleg that doesn’t suck? No matter what you think of the Uncle Tupelo breakup, Jeff clearly got the support of the killer tapers. But this recording sparkles, and it’s done with binaurals, which impresses me even more. Four stars.
• 19 Feb 2008 [Chicago, IL, USA] concert bootleg of Wilco. Nels Cline’s solo during “Impossible Germany” never fails to make me smile. Another solid recording from the Riv residency. Four stars.