Click cover art where extant for the download links. If I don’t have a download link, well, I’ll go and see if I can find the CD and dig that up.

• 2003-09-04: McDonald Theatre, Eugene, OR, USA.
• 2006-10-09: Von Braun Center Concert Hall, Huntsville, AL, USA. This one, etree says it has, but it doesn’t, really. And it’s so good, so I need to find the CD and load it to Owl & Bear or something.
• 2007-06-26: Warsaw, New York, NY, USA.
• 2008-07-04: Roskilde Festival, Roskilde, Denmark. I’ve raved about this one before, but it’s great. And no, I don’t have a torrent source for it now, but I’ll try to find one…
• Andy Osenga: 2009-03-23: The Rutledge, Nashville, TN, USA. I believe you boys have this. I don’t have any record of it here on GFMorris.com. My bad.
• 31 Aug 2007 Over the Rhine show. 2007-08-31: Moonlite Gardens, Coney Island, Cincinnati, OH, USA
• 1998-06-02: Studion, Stockholm, Sweden
• 28 Sep 2000 Elliott Smith. 2000-09-28: L'Olympic, Nantes, France.
• . 1994-04-29: The Blue Note, Columbia, MO, USA. One of the last UT shows ever, and it fucking blows the doors off. This bootleg is almost old enough to drive, man.
• M. Ward on KEXP in Seattle. 2005-03-14: KEXP, Seattle, WA, USA. Short but sweet.
• . 2004-09-18: Butternut Ridge, North Olmsted, OH, USA.

Let’s follow last year’s mojo:

• Date is in the range: 01 Jan 2009 – 25 Dec 2009. Any cutoff point is arbitrary, but this makes sense to me. I’ve been willfully listening to Christmas music lately, so this helps hold the list growth down.
• Kind does not contain AIFF [to filter out unprocessed bootlegs and demos].
• Album Rating is greater than three stars.
• Genre does not contain Concert Bootleg.

This list is unoptimized; it’s actually done in alphabetical order by artist. At the end, I’ll give a best-of list, countdown style. Because I like embracing constraints, I’ll give a one-sentence statement about each album as to why it’s just so darn good. If you’ve ever talked to me for longer than 90 seconds, you know that one sentence is an unreal constraint.

• The Silent Stars, Alli Rogers. A worthy follow-up to her 2008 Christmas EP, but with new tracks and more Alli goodness. The Silent Stars, Nov. 29.
• I and Love and You, The Avett Brothers. Glorious harmonies, well-crafted lyrics, and fine instrumentation: worth your purchase. I and Love and You, Sep 29.
• Noble Beast, Andrew Bird. Lush, dense, expertly-crafted pop/folk, with whistling. Noble Beast, Jan 20.
• Blood Bank, Bon Iver. A fun follow-up EP to his groundbreaking solo debut. Blood Bank Jan 20.
• Posthumous Success, Tom Brosseau. Less reedy pop/folk than he’s crafted in the past, but this modernization of his sound is still quite good. Posthumous Success, Jun 23.
• Oh, My Darling, Basia Bulat. Lovely pop songstress; bought this when I was after a girl who liked her music, too. Oh, My Darling, Feb 16.
• E.C. Was Here, Eric Clapton. Classic blues/rock from the master. E.C. Was Here, 15 Apr.
• Eric Clapton, Eric Clapton. More classic rock from a guitar god. Eric Clapton, Jun 4.
• Across a Wire: Live in New York, Counting Crows. Across a Wire: Live in New York City (disc 1: VH1 Storytellers) and Across a Wire: Live in New York City (disc 2: MTV Live From the 10 Spot), 31 Mar.
• The Hazards of Love, The Decemberists. Surprising for a major-label release, THoL returns our musical heroes to their literary roots to craft what lesser reviewers would call a concept album. The Hazards of Love, Mar 24.
• Hotel California, Eagles. Unlike The Dude, I do not hate the fuckin’ Eagles.Hotel California, Sep 6.
• Fleet Foxes, Fleet Foxes. Ridiculous harmonies, lush instrumentation.Fleet Foxes, Feb 7.
• Dirty Birds, Kat Flint. Red-haired songstresses always get me.Dirty Birds, Jan 30.
• Great Escape, Nick Flora and Film at Eleven. Nick isn’t just a friend—he’s a very good songwriter. Great Escape, Apr 2.
• A Kiss in Time, Patty Griffin. I love live music, and while Patty is anti-bootleg [booooo], this is good [yaaaaay]. A Kiss in Time, Mar 19.
• The Law of Gravity, Andy Gullahorn. I’m pre-disposed to love AG’s records, but this one really is good. The Law of Gravity, Dec 5.
• Around the Well, Iron & Wine. So, you’re looking at me, saying, “Really? A B-sides and rarities compilation?”, but it’s the second disc that just kills it—and Paul is right when he says Sam Beam compares to Elliott Smith and Nick Drake. Around the Well (disc 1) and Around the Well (disc 2), May 19.
• The Black Album, Jay-Z. I’m not hugely into hip-hop, but I like Jay. The Black Album, May 5.
• The Ultimate Blue Train, John Coltrane. Just a classic jazz album. The Ultimate Blue Train, Apr 18.
• Lie to Me, Jonny Lang. Bought this because I saw him live; feel like he’s better live, but good in the studio. Lie to Me, Apr 21.
• Three Flights from Alto Nido, Greg Laswell. Just plain good song-writing. Three Flights From Alto Nido, Jul 18.
• Blue Lines, Massive Attack. Portishead begat a love of trip-hop that I expect will extend into 2010 as I enforce my completionist ways. Blue Lines, Sep 22.
• The Luxury of Time, David Mead. Just plain solid songwriting, with a great pop voice to boot. The Luxury of Time, Nov 16.
• Jaydiohead, Minty Fresh Beats. Jay-Z and Radiohead, mixed together: yes, please! Jaydiohead, Apr 21.
• Monsters of Folk, Monsters of Folk. I think I have to make an obligatory Traveling Wilburys reference here; anyway, it’s got M. Ward, which means I was gonna buy it—and the album isn’t ill-titled. Monsters of Folk, Sep 30.
• The Sunset Tree, The Mountain Goats. Honest, heartfelt songwriting, honestly sung. The Sunset Tree, Feb 22.
• Z, My Morning Jacket. I love putting this record on when I need to rock out to something smooth. Z, Jan 4.
• Bleach, Nirvana. Yeah, I’m behind the times on this one. Bleach, Apr 19.
• Choosing Sides, Andrew Osenga. Get your copy fast!—Andy only printed 500 of them. Choosing Sides, Dec 14.
• Letters to the Editor, Vol. I and II, Andrew Osenga. Who cares that he put these songs out for free—they’re worth buying. Letters to the Editor, Vols. I & II, didn’t get blogged about this year.
• Live from Nowhere, Volume Four, Over the Rhine. It’s a great live record, and keeps you going between increasingly-distant OtR albums. Live From Nowhere, Volume Four (disc 1) and Live From Nowhere, Volume Four (disc 2), Aug 17.
• Chrome, Eric Peters. Eric Peters’s music rips right through my guts and makes me think. Chrome, .
• Behold the Lamb of God (10th Anniversary Edition), Andrew Peterson. A new turn on a classic record. Behold the Lamb of God (10th Anniversary Edition) (disc 1) and Behold the Lamb of God (10th Anniversary Edition) (disc 2), Dec 15.
• That Kind of Love, Pierce Pettis. Northeast Alabama’s best musical act [move over, Alabama] does it again. That Kind of Love, Apr 2.
• The Dark Side of the Moon, Pink Floyd. Yeah, I’m as surprised as you are that I didn’t own this before 2009. The Dark Side of the Moon, Jan 1.
• Dummy, Portishead. My addiction to trip hop would be annoying if I didn’t live alone; instead, it’s kinda awesome. Dummy, Jan 10.
• Kid A, Radiohead. I’m a completionist, but it’s a great record. Kid A, Jan 16.
• Rook, Shearwater. Makes me think of a warm blanket on a cold evening. Rook, Feb 21.
• Dial M, Starflyer 59. Buying J.R.’s top ten CDs turned out to be a great endeavor. Dial M, Mar 29.
• April, Sun Kil Moon. Wonderful late-night music. April, Feb 23.
• Strict Joy, The Swell Season. It’s as good as people have told you. Strict Joy, Nov 2.
• Illinoize, Tor. Sufjan Stevens’s music, mixed with rap—kinda awesome. Illinoize, not blogged.
• Dear Science, TV on the Radio. I don’t know how to begin to describe them, but I like them. Dear Science, Mar 27.
• Hold Time, M. Ward. Not as good as his earlier stuff, but still a great record. Hold Time, Feb 17.
• Stockholm Syndrome, Derek Webb. Worthy of the controversy. Stockholm Syndrome, which I had before it ever came out, natch.
• Wilco (The Album), Wilco. I’d buy a record of Jeff Tweedy reading the Chicago phone book. Wilco (The Album), Jun 28.

5. Wilco (The Album), Wilco. There are so many good songs on this album, but I thought I’d start with the opening track—it’s a treatise for the record and, frankly, for Wilco as a band at this point.
   

   Are you under the impression
   This isn’t your life?
   Do you dabble in depression?
   Is someone twisting a knife in your back?
   Are you being attacked?
   Oh, this is a fact that you need to know

   Oh

   Wilco
   Wilco
   Wilco will love you baby

   As someone who “dabbles in depression”, yeah, I love this track … and this album … and this band.
   

4. Letters to the Editor, Vol. I and II, Andrew Osenga. Yes, this is a compilation of tracks that he gave away for free; if you’re cheap, you can get Volume I and Volume II online still. But if you like it, buy the disc and support independent music. I chose “Staring Out a Window (My Confession)” because it just hits home for me.
   
3. Stockholm Syndrome, Derek Webb. Okay, you can argue that, as a friend of Derek’s and one of the three guys behind derekwebb.net, I’m predisposed to loving his music. You’re right. But this is a worthy buy for the following reasons: a) it tackles prickly issues of sexuality that most Christians are uncomfortable dealing with b) Fred Phelps gets made fun of c) it’s Derek and Josh Moore doing their best Gnarls Barkley impersonation, without sounding like a cheap knockoff and d) he says “shit” on the record and gets away with it. Sorta. I picked “The Spirit Vs. The Kick Drum” because it’s just a kickin’ little track.
   
2. The Hazards of Love, The Decemberists. Many long-time Decemberists fans [of which I cannot claim to be; I'm late to the game] would argue that they feared what being on a major record label would do to their music. But give Capitol all the credit in the world for letting Portland’s finest put out what lesser reviewers would call a concept album, and what I think of as “literature set to music”. The arc of this album is one unbroken story, and it’s just so well-done, with themes repeated and twisted as the album builds on itself. That makes it difficult to pick out one song, but I chose “The Rake’s Song” because that will tell you whether or not you’ll want to listen to the whole thing.
   
1. Noble Beast, Andrew Bird. I really thought that Armchair Apocrypha was going to be the apex of AB’s music for me. I didn’t think that he’d make a better record, but to my ears, he did with Noble Beast. Musically, it’s just so strong: songs with movement are just such a rarity in popular music these days that hearing tracks like “Masterswarm” is simply astonishing. It’s impossible for me to pick out a track I love the most, because I love them all, but I picked “Tenuousness” for this GeofCast episode.
   

If you made it this far, thanks!

2009-11-10: Great American Music Hall, San Francisco, CA, USA

So sad not to find any photos of them on Flickr. I mean, isn’t that illegal for a concert in San Fran?

Live From Nowhere, Volume Four (disc 1) and Live From Nowhere, Volume Four (disc 2)

Karin Bergquist – vocals, guitar, piano, gourds
Linford Detweiler – piano, guitar, bass, vocals
Jake Bradley – bass, guitar
Mickey Grimm – drums, percussion

AKG C480B/CK61 20′ from stage > Canare/Neutrik > Oade tmod R-4 @24/44.1
CEP 2.0 (volume adjustments, dither to 16 bits) > CD Wave > FLAC Level 6

2007-04-21: Joe's Pub, New York, NY, USA (early show)

• Date is in the range: 01 Jan 2008 – 31 Dec 2008
• Kind does not contain AIFF [to filter out unprocessed bootlegs and demos].
• Grouping does not contain Extant [to filter out where I migrated my library off of my old Mac to my new one]; I then did a manual check of the Extants with a similar list and my Musiclogging archives.
• Album Rating is greater than three stars.
• Genre does not contain Concert Bootleg. If desired, I’ll cover the best of the best concert bootlegs in a separate post, probably no earlier than Friday because I’m still adding bootlegs. [I am not adding any more studio releases at this point.]

This list is unoptimized; it’s actually done in alphabetical order by artist. At the end, I’ll give a best-of list, countdown style. Because I like embracing constraints, I’ll give a one-sentence statement about each album as to why it’s just so darn good. If you’ve ever talked to me for longer than 90 seconds, you know that one sentence is an unreal constraint.

• Andrew Bird, Armchair Apocrypha, grabbed in January. Intelligent, charming folk/pop … with whistling.
• Blind Faith, Blind Faith, grabbed in August. It’s too bad that these guys couldn’t keep it together, but I’ve come to the conclusion that one-off groupings for albums can be a killer thing.
• Tom Brosseau, Late Night at Largo, grabbed in February. Recorded after everyone left the bar that night, it’s a live record without an audience that showcases Brosseau’s brilliance as a songwriter.
• City and Colour, Bring Me Your Love, grabbed in May. Dallas Green’s writing is enough for me to forgive him for using his Canadian ou.
• Matt Costa, Songs We Sing, grabbed in December. Just when you think that you’re done with singer/songwriters, someone like Matt Costa comes along.
• Matt Costa, Unfamiliar Faces, grabbed in December. Oh Miss Magnolia … oh Mr. Pit, oh Mr. Pitiful.
• Death Cab for Cutie, Narrow Stairs, grabbed in May. I would lock Ben Gibbard up in Dick Cheney’s “undisclosed location” if he’d make another killer record like this one.
• Death Cab for Cutie, Transatlanticism, grabbed in July. It’s a good thing that emo bands like this weren’t big when I was 15.
• Deb Talan, A Bird Flies Out, grabbed in April. I would ask Deb Talan to marry me if Steve Tannen hadn’t done so first.
• Deb Talan, Sincerely, grabbed in May. Even if her voice is a bit … unique.
• Alejandro Escovedo, Real Animal, grabbed in September. I had read No Depression rave about Escovedo for some time, and dammit, they were right.
• Five O’Clock People, Temper Temper, grabbed in March. Now if they can only go less than half-a-decade before putting out another disc.
• Gnarls Barkley, The Odd Couple, grabbed in August. I’m still picking up pieces of my mind blown apart by this record.
• Gnarls Barkley, St. Elsewhere, grabbed in August. Gnarls Barkley makes me want to buy a bunch of old soul records, which I’d argue is a good thing for my musical self-education.
• Randall Goodgame, Bluebird, grabbed in November. If you ever wanted Randall Goodgame to stop playing the guitar all the time, these tracks are for you.
• Andy Gullahorn, Reinventing the Wheel, grabbed in November. Gully’s ability to have you laughing in one verse and hating yourself in the next is still with it; it feels like he’s got a Greg Maddux-like songwriting career ahead of him.
• Iron & Wine, The Shepherd’s Dog, grabbed in August. I used to sorta like Sam Beam, and this record made me love him.
• Jackopierce, Promise of Summer, grabbed in September. This is a NoiseTrade success story, and it turns out my friend David manages them, too, which is fun.
• Matthew Perryman Jones, Swallow the Sea, grabbed in August. There is a reason that MPJ started getting his songs played on TV, and it’s because the man cuts deep into his soul and bleeds all over your ears … in a good way.
• Carole King, Tapestry, grabbed in April. Thank you, Gilmore Girls, for making me feel like a natural woman … I think.
• Led Zeppelin, Led Zeppelin, grabbed in January. I am of the opinion that great blues/rock bands have a shelf life, but man, these guys hit it hard early, eh?
• Led Zeppelin, Led Zeppelin II, grabbed in January. And then they followed it up with a record at least as good as the first one.
• Led Zeppelin, Led Zeppelin III, grabbed in January. Hats Off (to Led Zeppelin) for making another killer record.
• Led Zeppelin, Led Zeppelin IV, grabbed in February. Been a long time since rock and roll sounded like this, but hey, paying homage to this would sound weaksauce.
• Led Zeppelin, Physical Graffiti, grabbed in February. For “Kashmir” alone, but the rest of the record is really fucking good.
• Nathan Lee, Down at the Rutledge, grabbed in February. If you stuffed the soul of The Boss and The Piano Man into a muscled, keyboard-banging dude who lights up Nashville, you’d get Nathan Lee.
• Sandra McCracken, Red Balloon, which I had in August, long before it came out, neener neener neener! I still feel like Sandra’s best record is yet to come, which is both a compliment and not, if you think about it.
• Nirvana, Nevermind, grabbed in August. I can’t believe I didn’t have a copy in the 1990s; I had the plaid shirt jackets from Eddie Bauer, dammit.
• Over the Rhine, Live From Nowhere, Volume Three, grabbed in August. I don’t care that there are great tapers for Over the Rhine: I will buy every damn one of these yearly records if only to support Karin and Linford as they continue to make beautiful music.
• Andrew Osenga, Letters to the Editor: Volume Two, which I helped distribute in September. I am admittedly quite biased, but hey, he didn’t play my guitar on this one, so back off.
• Andrew Peterson, Resurrection Letters, Volume Two, which, um, I never blogged, apparently. Looks like I got it in mid-August according to iTunes metadata. Not as good as previous AP albums, but still very good.
• Portishead, Third, grabbed in December. From everything I read, it’s like Portishead and Trent Reznor had a baby, but it’s one beautiful, industrial baby.
• Radiohead, The Bends, grabbed in December. It’s good enough that I’m overcoming my “don’t put the shiny new bauble on the year-end list” sentiment.
• Radiohead, Hail to the Thief, grabbed in December. Wacky song titles, impenetrable lyrics, and a shitload of rock and roll.
• Radiohead, In Rainbows, grabbed in July. You could have had this for free, and you don’t still have it?
• Alli Rogers, The Silent Stars EP, grabbed in December. Iowan singer/songwriter makes a homespun Christmas record.
• Alli Rogers, You and the Evening Sky, grabbed in March. I really feel like Alli gets lost in the sea of Midwestern-bred female songstresses, which is a damn shame.
• She & Him, Volume One, grabbed in March. I don’t like this as much as Paste does [really, #1, guys? REALLY!?], but it’s a fun listen.
• The Soft Drugs, Get Back – Side A, which I never blogged because I downloaded this one on the recommendation of one of the music blogs I read. And, of course, now I can’t find it. Who cares where I got it, it’s four tracks of fun pop/rock.
• Steven Delopoulos, As If Love Was a Sword, which I also appear to have never blogged, nor have any URLs for. Sad. You either love Delopoulos’s ethnic-tinged songwriting and fingerpicking, or you don’t; I do.
• Waterdeep, Heart Attack Time Machine, which is a NoiseTrade download, and as such, is something I can’t link to here something I have now linked to since Derek was the bus driver and drove me to school. John Wilson, you were right to pimp these guys to me all these years.
• Derek Webb and Sandra McCracken, Ampersand EP, grabbed in February. I think I’m contractually bound to put them on there for making a record I’d wanted them to make for at least 18 months.
• The Weepies, iTunes EP, which I never blogged but love. And before you fuss, that’s an iTunes Plus link. These exclusive EPs are fun ways to get into a band’s history, as this does in bringing songs from both Deb and Steve’s solo careers into The Weepies’ sphere of influence.
• The Weepies, Happiness, grabbed in February. This is not the record to start with, but it’s good.
• The Weepies, Hideaway, grabbed in April. I would call this a bit of a major-label sophomore slump, but it’s still good; shame they didn’t tour it.
• The Weepies, Say I Am You, grabbed in January. This record makes me want to be in love, which is the best compliment I can think of to give it.
• Wilco, Kicking Television, grabbed in April. I’ve got bootlegs that are better than this, but it’s pretty damn solid, and I’m a completionist.

That’s 47 albums. Yowza! About one a week … that’s a very, very good year.

Now, I’m gonna take it to 11 … and be a bit more verbose.

1. Radiohead, In Rainbows. There is nothing that I can add to all that has been said about this album, from the distribution to the music itself. I didn’t buy this until it came out on a physical disc [I'm a curmudgeon and have this problem, which I'm hoping to lick in 2009], but this is the album that made me a Radiohead fan, much as Yankee Hotel Foxtrot made me a Wilco fan. Favorite Tracks: “Nude”, “Reckoner”, “Jigsaw Falling Into Place”.
   
2. The Weepies, Say I Am You. 2008 was a weird year for me; I spent a lot of it pursuing a relationship that didn’t ultimately work out, and a lot of this album was my soundtrack. This is right in my wheelhouse, to be sure—singer/songwriter-y, acoustic guitar-driven, solid melody and harmony. In a world where In Rainbows doesn’t exist, it’s my best album of the year. Favorite Tracks: “Painting By Chagall”, “Riga Girls”.
   
3. Andrew Bird, Armchair Apocrypha. I bought this album on a lark, because it was well-regarded. Some of my best musical purchases are done that way, and this is definitely one of them. I think what gets me about Andrew Bird is that he’s a self-comfortable artist who is willing to experiment and do big things with his sound. The analog to an artist I’m friends with is the amazingness of Jeremy Casella’s Recovery [and if Jerry ever sees this, he's gonna hit me for putting him and Bird in the same sentence]. This is one of those albums I find myself singing often, and there is no greater tribute to me than that. Favorite Tracks: “Darkmatter”, “Plasticities”, and “Scythian Empires”. I never will forget whistling the last as I was walking through the Nashville airport on my way back from Philly after a whirlwind, 20-hour trip to see Caedmon’s Call play.
   
4. Five O’Clock People, Temper Temper. I was a big fan of 5OCP when they were making music in the 1990s, and so I grabbed this as soon as I heard it came out. It was … nothing like their old sound, in a lot of ways, but man, it frickin’ rocks. Favorite Tracks: “Gold Rush”, “Aftermath”, and “February”.
   
5. Gnarls Barkley, The Odd Couple. I had heard all this buzz about Gnarls Barkley, but just … dismissed it for whatever reason. I do that; I’m dumb. But then one day “Who’s Gonna Save My Soul” was highlighted on NPR, and I almost had to pull over to the side of the road, I was so blown away. Favorite Tracks: “Who’s Gonna Save My Soul”, “Run (I’m a Natural Disaster)”.
   
6. Death Cab for Cutie, Narrow Stairs. Like with Bon Iver’s For Emma, Forever Ago, a lot has been made about this record coming out of Ben Gibbard taking residence where Jack Kerouac did at Big Sur. I’m of the mind that creative pursuits are often terribly lonely affairs, so I think this was a good idea. This record brought the lyrical brilliance and nose for melody that Death Cab’s always had, but they also exhibited their musical chops on it, too. For whatever weird reason, I want to draw parallels to this and Elliott Smith’s Figure 8. Favorite Tracks: “I Will Possess Your Heart”, “Cath…”, and “Long Division”.
   
7. Iron & Wine, The Shepherd’s Dog. I simply did not think that Sam Beam had this much awesome within him. I am very glad to be wrong. Very, very glad. Favorite Tracks: “House of the Sea”, “Wolves (Song of the Shepherd’s Dog”, “Peace Beneath the City”.
   
8. Tom Brosseau, Late Night at Largo. At this point, you have to mail a check to Tom Brosseau’s management to get a copy. It is worth your time in doing so. I’ve written about Brosseau before, but here he is in a nutshell: North Dakota boy moved to LA that writes about home because he both misses it and hates it, in a way. If you grew up in a cold climate and have moved to warmer latitudes, you know where he’s coming from. His music has a sense of ironic detachment, but it’s also just plain good. Also, he sings so high that he makes Thom Yorke in falsetto sound like Barry White. Favorite Tracks: “Rose”, “Broken Ukulele”, and “Young and Free”.
   
9. Matt Costa, Unfamiliar Faces. Okay, I’ve got a thing for young guys who write songs about not getting the girl, or getting the girl and losing the girl, but … dude, this guy can rock it up. Favorite Tracks: “Emergency Call”, “Heart of Stone”, and “Miss Magnolia”.
   
10. Matthew Perryman Jones, Swallow the Sea. Unlike most years, this is the only time when an artist I personally know appears on the list. I think that most of that is because I’m becoming harder on my friends’ more recent albums, honestly. But MPJ made a killer, killer record here, a worthy followup to Throwing Punches in the Dark, which I was afraid that he wouldn’t be able to top. He topped it, though. Favorite Tracks: “Save You”, “Motherless Child”, and “Feels Like Letting Go”.
    
11. Led Zeppelin, Led Zeppelin IV. There is nothing I can add to this that hasn’t been said, eh? This is my favorite Zep album, even if it doesn’t have all of my favorite songs. Favorite Tracks: “Black Dog”, “Rock and Roll”, “Stairway to Heaven”. I mean, duh.
    

What about you? Do you have some of these records and violently disagree? Did I overlook something to the point that you’re ready to shake me for not listening to it? I wanna know.

It’s the Solstice. It’s the foundation of Christmas. It predates it. Have a good one.

He’s exactly right. I have tried to spend the solstice in the same way the last couple of years: listening to Over the Rhine’s The Darkest Night of the Year:

Don’t buy it from Amazon, though; go grab it at overtherhine.com, or buy it through iTunes.

At the moment this entry goes live, it’s sunset on the winter solstice in 2008 in my city. From my house to yours, have a Merry Christmas.

Karin Bergquist – vocals, acoustic guitar, piano, percussion
Linford Detweiler – keyboards, acoustic guitar, electric bass, vocals
Jake Bradley – upright and electric bass, electric guitar, vocals
Mickey Grimm – drums, percussion, vocals
Molly Felder – vocals, percussion

This concert took place on Karin & Linford’s 11th wedding anniversary.

Source: SBD (mono) + AKG 481 (DIN, 3′ ROB slightly ROC, 55′ from stage 7′ up) > Oade ACM R-4 @24/44.1

Lineage: R-4 HD > USB > Cool Edit Pro 2.0 > CD Wave > FLAC Level 6

Board feed split left & right, mixdown is approx. 60/40 mics to SBD

Processing in CEP: Volume adjustments, soft limiting on left mic channel to constrain enthusiasm of engineer, mics/SBD synchronization, fades, final mix dithered to 16 bits

Many thanks to Dave “Juicy” Foreman for the great mix!

2007-10-05: Buskirk-Chumley Theater, Bloomington, IN, USA (disc 1) and 2007-10-05: Buskirk-Chumley Theater, Bloomington, IN, USA (disc 2).

matrix:
1)sbd>Mytek Stereo192(24/48)>MT
2)MG200(DIN, 12ft. up, 10′ left of soundboard)>modUltralite(24/48)>MT
both:cardreader>CEPro2.0>CDWav>FLAC(level8)

processing included auto-conversion to 32b.f. format, EQ, mixing, fades, Waves L2 with dither to 16 bits.

I love me some SBD/AUD matrices … enough that I was awful excited today when TEAC/Tascam called me to tell me where they were in repairing my DR-1. Woooo! Anyhow, ShawnF does good work, too.

2007-08-31: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 1) and 2007-08-31: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 2) will get you all the metadata goodness!

• Nada Surf’s The Weight Is a Gift, which was a birthday present from Bryan. [Thanks, Big Time!]
  
• Sandra McCracken’s Red Balloon. It’s nice to have my physical copy.
  
• 17 Feb 1994 [Charlottesville, VA, USA] concert bootleg of Uncle Tupelo. 1994-02-17: Trax, Charlottesville, VA, USA (disc 1) and 1994-02-17: Trax, Charlottesville, VA, USA (disc 2).
  
• 5 Mar 2006 [Chapel Hill, NC, USA] concert bootleg of Wilco. 2006-03-05: Memorial Hall, University of North Carolina, Chapel Hill, NC, USA (disc 1) and 2006-03-05: Memorial Hall, University of North Carolina, Chapel Hill, NC, USA (disc 2).
  
• 7 Oct 2006 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. 2006-10-07: Tall Stacks, Cincinnati, OH, USA.
  
• 17 Apr 2008 [Austin, TX, USA] concert bootleg of Son Volt. 2008-04-17: Antone's, Austin, TX, USA (disc 1) and 2008-04-17: Antone's, Austin, TX, USA (disc 2).
  
• 22 May 2008 [Manchester, England] concert bootleg of Feist. 2008-05-22: Palace Theatre, Manchester, England.
  

Here’s what I did the last time around, a month ago …

• George Strait’s Strait From the Heart. I found this to be right in the wheelhouse—three stars.
  
• Nirvana’s From the Muddy Banks of the Wishkah. I found it a bit uneven—great in spots, meh in others. Three stars.
  
• 5 Sep 1993 [Copenhagen, Denmark] concert bootleg of Uncle Tupelo. 1993-09-05: Cafe Rust, Copenhagen, Denmark. Somehow, I still haven’t gotten to this one. It’s been that kind of month. 5 Nov: Another one where I might as well have not bothered. Two stars.
  
• Wilco’s Summerteeth Demos. Summerteeth Demos. Three stars—the finished product is, of course, much better.
  
• 17 Dec 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. 2005-12-17: The Taft Theatre, Cincinnati, OH, USA (disc 1) and 2005-12-17: The Taft Theatre, Cincinnati, OH, USA (disc 2). Still haven’t listened to this one, either. Man. 5 Nov: PASS. I gave it two stars, but I don’t think it deserved that. Omni mics + large room + lots of bass = bad. I’ve made those recordings.
  
• 17 Mar 2006 [Nashville, TN, USA] concert bootleg of Wilco. 2006-03-17: Ryman Auditorium, Nashville, TN, USA (disc 1) and 2006-03-17: Ryman Auditorium, Nashville, TN, USA (disc 2). Three-and-a-half stars, and it would be better if the Ryman didn’t suck when it comes to taping.
  
• 25 Aug 2008 [Hollywood, CA, USA] concert bootleg of Radiohead. 2008-08-25: Hollywood Bowl, Hollywood, CA, USA (disc 1) and 2008-08-25: Hollywood Bowl, Hollywood, CA, USA (disc 2). Stop me if you’re surprised that I haven’t listened to this, either … didn’t think so. 5 Nov: Outdoor shows are hard as hell to record. Two-and-a-half stars.
  

First, let me provide you a musical setting, friends. This track runs about ten minutes, which is far more time than it will take you to read these meager words, but maybe you’ll get to thinking during the guitar solo.

Cindy was 34.

Barry was 29.

Leah was 28.

All of them left us far, far too soon. All of them left us in much the same way—their brains conspiring with their bodies to take them from us long before any of us were ready to see them go. Cindy was my sister-in-law; Noah’s Barry would have been a good friend, I’m sure, had I ever had the chance to make his acquaintance. Leah was an acquaintance, and her husband Jamie is definitely a friend. All three of these men now share the same grief—a lifetime that was to be lived together now suddenly lived apart.

If you aren’t familiar with Over the Rhine, well, I’m sorry for you. The music that should be playing through your computer is, I think, wholly apt for this setting. The lyrics are reprinted, below, in their entirety, with my emphasis:

it makes a difference
when you walk through a room
with that worrisome smile
road weary perfume

but this isn’t the place
and it isn’t the time
for this beautiful delusion
that is robbing me blind

I want to know
I want to know
will it make a difference
when I go

it makes a difference
that I’m feeling this way
with plenty to think about
and so little to say

except for this confession
that is poised on my lips
I’m not letting go of God
I’m just losing my grip

I want to know
I want to know
will it keep you guessing
when I go

what is a love
if the love’s not my own
this is not my home
this is lonely
but never alone

I just want to hold you
in my gaze for awhile
so I can remember
every line around your smile

then I want to know
I want to know
will it make a difference
when I go

For those left behind, picking up the pieces, let me answer the question: YES.

• George Strait’s Strait From the Heart.
  
• Nirvana’s From the Muddy Banks of the Wishkah.
  
• 5 Sep 1993 [Copenhagen, Denmark] concert bootleg of Uncle Tupelo. 1993-09-05: Cafe Rust, Copenhagen, Denmark.
  
• Wilco’s Summerteeth Demos. Summerteeth Demos.
  
• 17 Dec 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. 2005-12-17: The Taft Theatre, Cincinnati, OH, USA (disc 1) and 2005-12-17: The Taft Theatre, Cincinnati, OH, USA (disc 2).
  
• 17 Mar 2006 [Nashville, TN, USA] concert bootleg of Wilco. 2006-03-17: Ryman Auditorium, Nashville, TN, USA (disc 1) and 2006-03-17: Ryman Auditorium, Nashville, TN, USA (disc 2).
  
• 25 Aug 2008 [Hollywood, CA, USA] concert bootleg of Radiohead. 2008-08-25: Hollywood Bowl, Hollywood, CA, USA (disc 1) and 2008-08-25: Hollywood Bowl, Hollywood, CA, USA (disc 2).
  

The last week of music was above average:

• The Velvet Underground’s VU. Poppy and melodic, but still definitely a VU record. Three stars.
  
• George Strait’s Strait Country. It’s classic early 1980s country music—you either like it or you don’t. I do, but that’s because I love George Strait’s voice. Two-and-a-half stars.
  
• 6 Dec 2002 [Long Beach, CA, USA] concert bootleg of Iron & Wine. I think Sam Beam’s career arc is similar to Elliott Smith’s, and that’s high praise from me. This is an early bootleg, and it reminds me a lot of old Elliott boots. Three stars.
  
• 1 Sep 2007 [Lexington, KY, USA] concert bootleg of Over the Rhine. I had heard very good things about this show, and it does not disappoint. Four stars.
  
• 9 Oct 2007 [Milwaukee, WI, USA] concert bootleg of Wilco. A quite-solid recording, as you’d expect from Jerry Eaglebarger. Four stars.
  
• 19 Dec 2007 [Nashville, TN, USA] concert bootleg of Ben Folds. The mics aren’t up to the room [and I've recorded in there, so I know], but it sounds like it’s probably a stealth rig. Two stars.
  
• 24 Aug 2008 [Hollywood, CA, USA] concert bootleg of Radiohead. Solid, but unspectacular. I’ve never really heard a great recording from the Hollywood Bowl, probably because it’s a damn hard place to record without some SBD access. Three stars.
  

• The Velvet Underground’s VU.
  
• George Strait’s Strait Country.
  
• 6 Dec 2002 [Long Beach, CA, USA] concert bootleg of Iron & Wine. 2006-12-06: Fingerprints Music Store, Long Beach, CA, USA
  
• 1 Sep 2007 [Lexington, KY, USA] concert bootleg of Over the Rhine. 2007-09-01; The Dame, Lexington, KY, USA (disc 1) and 2007-09-01: The Dame, Lexington, KY, USA (disc 2).
  
• 9 Oct 2007 [Milwaukee, WI, USA] concert bootleg of Wilco. 2007-10-09: Eagle's Ballroom, Milwaukee, WI, USA (disc 1) and 2007-10-09: Eagle's Ballroom, Milwaukee, WI, USA (disc 2).
  
• 19 Dec 2007 [Nashville, TN, USA] concert bootleg of Ben Folds. 2007-12-19: Exit/In, Nashville, TN, USA (disc 1) and 2007-12-19: Exit/In, Nashville, TN, USA (disc 2).
  
• 24 Aug 2008 [Hollywood, CA, USA] concert bootleg of Radiohead. 2008-08-24: Hollywood Bowl, Hollywood, CA, USA (disc 1) and 2008-08-24: Hollywood Bowl, Hollywood, CA, USA (disc 2).
  

Last week:

• Feist’s Open Season. I’m a sucker for remixes because they are new ways to hear familiar tracks. Plus, a couple of these are stripped-down, acoustic affairs, which show of Leslie Feist’s greatest asset—her voice. Four stars.
  
• Alejandro Escovedo’s Real Animal. I think I’m beginning to see what all the fuss is about … I like it a lot. This is a big sounding record, solidly out of a roots rock tradition but with a pleasing amount of crunchiness to catch the ear of a more modern listener. Four stars.
  
• The Velvet Underground’s eponymous album. A solid little record. It’s clear what era that VU records come from, but they’re great representatives of that time. Three stars.
  
• 15 Jun 2006 [Northampton, MA, USA] concert bootleg of Over the Rhine. Another fine OtR show. Four stars.
  
• 24 Jun 2007 [Northampton, MA, USA] concert bootleg of Wilco. It’s kinda hard to tell that this is a bootleg, which I guess is a credit to the mics. Would that I had the bones to drop on those. The recording is quite clear, to the point that you’d have no idea that you were at an outdoor concert. If I have any complaint, it’s that there’s not much bass, but I bet that’s probably a function of the capsule set. Four stars.
  
• 29 Jun 2007 [Nashville, TN, USA] concert bootleg of Sandra McCracken, Derek Webb, and Bleu. Not my best recording, to be sure, but I was using my backup recording device. Three stars, but only because of the musicianship and the fact that Sandra played two songs off of Red Balloon.
  
• 6 Aug 2008 [Boston, MA, USA] concert bootleg of Gnarls Barkley. I am of two minds about using binaural mics for bootleg recordings: I don’t think they’re generally up to it, but sometimes, they’re the only thing that you can get past security. I just find that they make the whole thing sound too flat. As such, this gets just three stars.
  

• Feist’s Open Season.
  
• Alejandro Escovedo’s Real Animal.
  
• The Velvet Underground’s eponymous album.
  
• 15 Jun 2006 [Northampton, MA, USA] concert bootleg of Over the Rhine. 2006-06-15: Iron Horse Music Hall, Northampton, MA, USA.
  
• 24 Jun 2007 [Northampton, MA, USA] concert bootleg of Wilco. 2007-06-24: Pines Theater, Northampton, MA, USA (disc 1) and 2007-06-24: Pines Theater, Northampton, MA, USA (disc 2).
  
• 29 Jun 2007 [Nashville, TN, USA] concert bootleg of Sandra McCracken, Derek Webb, and Bleu. 2008-06-29: 12th and Porter, Nashville, TN, USA (disc 1) and 2008-06-29: 12th and Porter, Nashville, TN, USA (disc 2).
  
• 6 Aug 2008 [Boston, MA, USA] concert bootleg of Gnarls Barkley. 2008-08-06: Wilbur Theater, Boston, MA, USA
  

Last week was uneven, but the good stuff was very good:

• Sandra McCracken’s Red Balloon. Predictably, I love it. There are a couple moments on the record that I don’t get, but all in all, I think this lives up to the hype that Derek has been giving it. Four stars.
  
• Nirvana’s In Utero. Sadly, it doesn’t have the punch that Nevermind did, probably understandable as a sophomore major-label release. That, plus a dalliance into noise rock that I didn’t enjoy, got it two-and-a-half stars from me. The goods are great! The bads are … meh.
  
• Jackopierce’s Promise of Summer. Quite, quite enjoyable. A four-star record for me, and I’ll be getting more JP records from the back catalog. [See? Giving stuff away for free works.]
  
• 3 Feb 2006 [Las Vegas, NV, USA] concert bootleg of Coldplay. So meh. A distant recording from the audience, and … eh. Two-and-a-half stars.
  
• 26 Oct 2007 [New York, NY, USA] concert bootleg of Over the Rhine. Fan-fucking-tastic. Four-and-a-half stars. If you love OtR, get it. Go. Now. You. NOW.
  
• 17 Jul 2008 [London, England] concert bootleg of Death Cab for Cutie. Also kinda distant, but with a better base to start with. Three stars.
  
• 26 Jul 2008 [Anchorage, AK, USA] concert bootleg of Wilco. No, I didn’t pick this in honor of Sarah Palin. This is the band whose debut release was titled A.M.; sadly, it sounds like it was recorded from an AM broadcast: over-compressed, tinny, and muddled. An example: when the band does their Wall of Noise trick in the opening cut, “Via Chicago”, everything is … the same sound level. Jeff is clearly heard. This … just isn’t the way it ought to be at all. Having looked at the mic used in the recording, I’m guessing that this is the sound guy’s fault, or perhaps just crappy mains. But, you know, if I lived in Anchorage, I really wouldn’t give a shit, because Wilco rocks. The good thing is that we get two new songs out of it, and new songs? Always good. The rating is two stars.
  

• Sandra McCracken’s Red Balloon. When you’re friends, you get advance copies.
  
• Nirvana’s In Utero.
  
• Jackopierce’s Promise of Summer. This is a NoiseTrade success—wouldn’t have bought this album without listening to the EP. So, if you’re interested … get the EP at the end of the post.
  
• 3 Feb 2006 [Las Vegas, NV, USA] concert bootleg of Coldplay. I’m done with them now. 2006-02-03: MGM Garden Arena, Las Vegas, NV, USA.
  
• 26 Oct 2007 [New York, NY, USA] concert bootleg of Over the Rhine. 2007-10-26: Highline Ballroom, New York, NY, USA (disc 1) and 2007-10-26: Highline Ballroom, New York, NY, USA (disc 2).
  
• 17 Jul 2008 [London, England] concert bootleg of Death Cab for Cutie.
  
• 26 Jul 2008 [Anchorage, AK, USA] concert bootleg of Wilco. 2008-07-26: The Moose's Tooth, Anchorage, AK, USA (disc 1) and 2008-07-26: The Moose's Tooth, Anchorage, AK, USA (disc 2).
  

Last week:

• Blind Faith’s eponymous album. It’s a shame that Windwood, Baker, and Clapton couldn’t co-exist. Three-and-a-half stars.
  
• Lenny Kravitz’s It Is Time for a Love Revolution. Starts off with a bang, and then … mellows. Three stars overall.
  
• Matthew Perryman Jones’s Swallow the Sea. I have sadly not given this album the time that it deserves this week, but a copy will go in my car for my Labor Day driving. But from the first few listens, it gets four-and-a-half stars.
  
• 20 Jul 1995 [Nashville, TN, USA] concert bootleg of Wilco. Sometimes, the sound guy needs to get shot. This is one of those times. Two stars.
  
• 20 Apr 2004 [Minneapolis, MN, USA] concert bootleg of M. Ward, Jim James, and Conor Oberst. Matt started his set with a harmonica, which is a sure-fire way to have me love it. [I have yet to understand my affinity for the instrument, but it's undeniable.] Matt’s set is pretty much everything you’d expect from a 2004-era show. As usual, Jim James’s stuff confounds me—I just don’t grok it, for whatever reason. Conor Oberst’s set mostly bored me. Two-and-a-half stars overall.
  
• 18 Nov 2006 [Dayton, OH, USA] concert bootleg of Over the Rhine. The taper noted that the distortion errors are present in both the SBD and AUD sources. SOUNDBOARD FAIL. Two stars.
  
• 1 Aug 2008 [Sugar Land, TX, USA] concert bootleg of Andy Gullahorn. Great recording from Jim, who hosted the show. Great performance by Gully. Fun times. Four stars.
  

And again … here’s that JP EP:

Blind Faith’s eponymous album.

Lenny Kravitz’s It Is Time for a Love Revolution.

Matthew Perryman Jones’s Swallow the Sea, which I’ve been waiting for since … oh, about a half-hour after I first spun Throwing Punches in the Dark.

20 Jul 1995 [Nashville, TN, USA] concert bootleg of Wilco. 1995-07-20: Dancing in the District, Nashville, TN, USA

20 Apr 2004 [Minneapolis, MN, USA] concert bootleg of M. Ward, Jim James, and Conor Oberst. 2004-04-20: Pantages Theatre, Minneapolis, MN, USA (disc 1) and 2004-04-20: Pantages Theatre, Minneapolis, MN, USA (disc 2).

18 Nov 2006 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2006-11-18: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2006-11-18: Canal Street Tavern, Dayton, OH, USA (disc 2).

1 Aug 2008 [Sugar Land, TX, USA] concert bootleg of Andy Gullahorn. 2008-08-01: Andrews Home, Sugar Land, TX, USA (disc 1) and 2008-08-01: Andrews Home, Sugar Land, TX, USA (disc 2).

Last week was very good to my ears:

• Nirvana’s Nevermind. Is there an album with a better opening than Nevermind? I mean, it’s a Led Zeppelin-esque tour de force to kick things off. Just fantastic. Four-and-a-half stars.
  
• The Cardigans’ Life. Still definitely in a pop vein, but it’s got a lot more groove behind Nina’s voice musically. Three stars.
  
• Over the Rhine’s Live From Nowhere, Volume Three. Worth the wait, as usual. Four-and-a-half stars. People, this is how you do it: put out a live album every year. Put a couple covers on it. Sell to your hardcore fans directly, and you’ll keep them happy.
  
• 16 Jul 2006 [Florence, MA, USA] concert bootleg of The Autumn Defense. I own Birds, Beasts, and Flowers, their half-and-half EP with Hem [because of the latter], but this is the first time I’ve given them a serious listen. I thought BBF was uninspiring for bringing people to Hem, and I think the same can be said for The Autumn Defense—I’ll be checking more out now. Three stars.
  
• 17 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. Nothing special. Three stars.
  
• 23 Jun 2008 [Santa Monica, CA, USA] concert bootleg of Death Cab for Cutie. A solid recording. Three-and-a-half stars.
  
• 22 Jul 2008 [San Diego, CA, USA] concert bootleg of Feist. A fantastic recording. Four stars.
  

Nirvana’s Nevermind. Nope, never actually owned my own copy.

The Cardigans’ Life.

Over the Rhine’s Live From Nowhere, Volume Three.

16 Jul 2006 [Florence, MA, USA] concert bootleg of The Autumn Defense. 2006-07-16: Pines Theater, Florence, MA, USA

17 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. 2008-05-17: The Pageant, St. Louis, MO, USA (disc 1) and 2008-05-17: The Pageant, St. Louis, MO, USA (disc 2).

23 Jun 2008 [Santa Monica, CA, USA] concert bootleg of Death Cab for Cutie. 2008-06-23: Morning Becomes Eclectic, KCRW-FM, Santa Monica, CA, USA

22 Jul 2008 [San Diego, CA, USA] concert bootleg of Feist. 2008-07-22: Humphrey's, San Diego, CA, USA (disc 1) and 2008-07-22: Humphrey's, San Diego, CA, USA (disc 2).

Last week:

• R.E.M.’s Murmur. Admittedly, I haven’t given this enough of a listen [just getting to it on Saturday], but I’m just not feeling it yet. I’ll keep trying, but right now, it’s just a three-star record on my radar.
  
• George Strait’s Does Fort Worth Ever Cross Your Mind. I don’t like a whole lot of country music, but there’s just … something about George Strait’s voice. I figure between George and Lyle Lovett, I can get all the country I ever need in my life. [And I still blame my junior-year-at-MSMS roommate, Thomas, for listening to country music in the first place. I had two choices: listen to country or kill him. I chose the former. But working in country radio right out of high school pretty well fixed me on listening to too much country.] So yeah, I’m going through Strait’s catalog some. Three stars, if you like country.
  
• The Cardigans’ Emmerdale. For a band with this much rock and roll chops—Peter Svensson and Magnus Sveningsson had been in heavy metal bands prior to The Cardigans—it’s weird to hear a pop record from them, but it’s still solid, because Nina Persson’s voice is stellar. Two-and-a-half stars.
  
• 25 Apr 2008 [Dayton, OH, USA] concert bootleg of Over the Rhine. The mix is just off, but I’m afraid that there’s not much to be done about it by the taper, given that it seems like everything was done that was possible with the AUD part of the mix. Three-and-a-half stars.
  
• 28 Apr 2008 [Los Angeles, CA, USA] concert bootleg of She & Him. Persic is one of the best tapers I know, so I lay all the fault here on the vocalists—not only Zooey [who just needs to get more stage presence, which should shock no one who's read about her on the Internet at this point], but whoever was doing the bgv’s, too. But the musicianship of the band is great … three-and-a-half stars.
  
• 16 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. The musicianship is great. The recording is solid. It just … doesn’t really feel like I’m there, which is pretty much my standard for bootleg recordings. I guess I’m faulting Steve’s mix here, which rightly focuses on the music, but feels like it weighs a bit too heavy on the SBD patch. I’m not saying that it’s not good; I’m just saying that I guess I think it could be better. Three-and-a-half stars.
  
• 25 Jul 2008 [Santa Monica, CA, USA] concert bootleg of Gnarls Barkley. It’s obvious that they still haven’t gotten comfortable with being interviewed, but man … a fun listen nonetheless. Four stars.
  

• R.E.M.’s Murmur.
  
• George Strait’s Does Fort Worth Ever Cross Your Mind.
  
• The Cardigans’ Emmerdale.
  
• 25 Apr 2008 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2008-04-25: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2008-04-25: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 28 Apr 2008 [Los Angeles, CA, USA] concert bootleg of She & Him. 2008-04-28: Vista Theatre, Los Angeles, CA, USA.
  
• 16 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. 2008-05-16: The Pageant, St. Louis, MO, USA (disc 1) and 2008-05-16: The Pageant, St. Louis, MO, USA (disc 2).
  
• 25 Jul 2008 [Santa Monica, CA, USA] concert bootleg of Gnarls Barkley. 2008-07-25: Morning Becomes Eclectic, KCRW-FM, Santa Monica, CA, USA.
  

Last week:

• Iron and Wine’s The Shepherd’s Dog. I hadn’t really, really loved any of Sam Beam’s previous work; this, however, sparkles. Four-and-a-half stars.
  
• Gnarls Barkley’s The Odd Couple. Fan-damn-tastic. Four stars.
  
• Dr. Dre’s The Chronic. Three stars. [I blame listening to Girl Talk on getting this.]
  
• 8 Nov 1992 [Chicago, IL, USA] concert bootleg of Uncle Tupelo. A surprisingly good recording, given the age. Three-and-a-half stars.
  
• 16 Mar 2007 [Dayton, OH, USA] concert bootleg of Over the Rhine. Your standard kick-ass OtR@CST show. Four stars.
  
• 15 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. Three stars. Solid but unspectacular.
  
• 3 Jun 2008 [Paris, France] concert bootleg of Feist. It’s a bit treble-y and feels weak, but it has good crowd capture, which to me is something that you want [because, otherwise, it's a one-off rendition of songs you've heard before; this is why I'm not the biggest fan of soundboards]. Two-and-a-half stars.
  

• Death Cab for Cutie’s Transatlanticism.
  
• Paper Route’s Are We All Forgotten, on the suggestion of Jeff.
  
• Gnarls Barkley’s St. Elsewhere. Yes, I am slow to the GB party, but Stephen got me there.
  
• 16 Aug 2001 [Jersey City, NJ, USA] concert bootleg of Radiohead. 2001-08-16: Liberty State Park, Jersey City, NJ, USA (disc 1) and 2001-08-16: Liberty State Park, Jersey City, NJ, USA (disc 2).
  
• 17 Nov 2006 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2006-11-17: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2006-11-17: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 13 Oct 2007 [Kansas City, MO, USA] concert bootleg of Wilco. 2007-10-13: The Crossroads at KC, Kansas City, MO, USA (disc 1) and 2007-10-13: The Crossroads at KC, Kansas City, MO, USA (disc 2).
  
• 12 Apr 2008 [Norfolk, VA, USA] concert bootleg of Spoon. 2008-04-12: The Norva, Norfolk, VA, USA (disc 1) and 2008-04-12: The Norva, Norfolk, VA, USA (disc 2).
  

Last week was pretty disappointing.:

• Led Zeppelin’s Houses of the Holy. Okay, so the Led Zeppelin that I love is the rockin’, bluesy stuff. And to quote Wikipedia on Houses of the Holy, “This album was a stylistic turning point in the lifespan of Led Zeppelin.” And, well, on “The Song Remains the Same”, I was confused for a minute, thinking that maybe Geddy Lee had replaced Robert Plant or something. [I'm sure that several people broke things after reading that sentence.] Admittedly, it gets back to sounding a little more like Led Zeppelin as the album progresses, and I am the person that did say, just two weeks ago, “I’m a firm believer that bands have to experiment lest they [and/or their fans] become totally bored with the thing.” But that doesn’t mean that I have to like it. So, yes, I should rate this now, right? Three stars, mainly on the strength of “Dancing Days” and “D’yer Mak’er”.
  
• The Cardigans’ Super Extra Gravity. The phrase that I was going to use for this album was “solid, but boring” until I got to “I Need Some Fine Wine and You, You Need to Be Nicer”. I have a lot of friends who are excellent singer/songwriters, so I say this with a bit of trepidation, but … man, The Cardigans rock way too damn much to try to do the singer/songwriter+backing band thing. Sadly, that and a fusion of quasi-country stuff [although it felt like Nina Persson was channeling Sixpence's Leigh Nash for the first few tracks] made for a boring start. But it picks up in the second half of the record, which is good. Three-and-a-half stars.
  
• Coldplay’s Viva La Vida. Egad. Jacob said this about Coldplay on a forum I run: “The best way I can put it is that I like simpler Coldplay. It just feels like they’re trying to be something that they’re not right now. The indie-rock/prog-rock (good call Adriene) feel just doesn’t fit what Coldplay was. Sure that sounds like the old fan wishing their band hadn’t grown up and changed their sound…I’ll cop to that. But some of their earlier songs made me want to cry. Now their new stuff does that but for different reasons.” I can’t say it any frickin’ better. One-and-a-half stars, and if any of my friends wants it, I’ll give it to them. I don’t want it back. One-and-a-half stars. I haven’t bought an album that I’ve actively hated in quite some time, but … this is it. Gah.
  
• 25 Oct 1997 [Utica, NY, USA] concert bootleg of Blues Traveler. I’m surprised that a SBD sounds this poorly-mixed, but then I probably shouldn’t be. Sound board operators don’t have time to give tapers jacking into their boards the time to give perfectly-mixed feeds. The mix is very definitely pushed towards the treble and towards John’s voice standing out above all others. For people that crap on me wanting to do SBD/AUD matrices, well, suck on this. Two stars. [Sad, because Bob Sheehan was really on this night. And before Chris Smith says crap to me ... suck on it, LC.]
  
• 1 Sep 2007 [Denver, CO, USA] concert bootleg of Wilco. Gah. Another week of getting burnt by a stealth rig. Venues that don’t allow tapers suck. This sounds pretty good despite being stealthily done. Two-and-a-half stars.
  
• 26 Apr 2008 [Dayton, OH, USA] concert bootleg of Over the Rhine. It’s a rare case when I’m disappointed by a matrix [well, other than my own, heh], but I am by this one. Karin’s vocals are too hot in the mix, but I fear that’s probably a fault of the sound board op [which shocks me, because this typically isn't the case with CST shows] than the taper. [After all, if she's too hot in the SBD feed, she's probably too hot in the mains, and you can't compensate with the AUD part of the feed to get more of the band.] I mean, it’s still a decent recording, but I only give it three stars. I expected four-plus.
  
• 27 May 2008 [Milan, Italy] concert bootleg of Feist. Feist bootlegs are hard to come by, so I was willing to chance it on a recording made by a Zoom H2’s internal mics. [Hey, I own and use a Tascam DR-1, so I'm understanding. It's just that internal mics aren't going to get a big band's sound, especially not in a room like that.] So it’s not terribly surprising that the recording is muddy and distant, but hey, it’s free, right? Two-and-a-half stars.
  

• Led Zeppelin’s Houses of the Holy. BMG finally decided that they weren’t shipping this to me, so I bought it on Amazon. Feh.
  
• The Cardigans’ Super Extra Gravity. Part of the binge I went on lately was filling out my Cardigans discography.
  
• Coldplay’s Viva La Vida.
  
• 25 Oct 1997 [Utica, NY, USA] concert bootleg of Blues Traveler. 1997-10-25: Utica Memorial Auditorium, Utica, NY, USA (disc 1), 1997-10-25: Utica Memorial Auditorium, Utica, NY, USA (disc 2), and 1997-10-25: Utica Memorial Auditorium, Utica, NY, USA (disc 3).
  
• 1 Sep 2007 [Denver, CO, USA] concert bootleg of Wilco. 2007-09-01: The Fillmore Auditorium, Denver, CO, USA (disc 1) and 2007-09-01: The Fillmore Auditorium, Denver, CO, USA (disc 2).
  
• 26 Apr 2008 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2008-04-26: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2008-04-26: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 27 May 2008 [Milan, Italy] concert bootleg of Feist. 2008-05-27: Magazzini Generali, Milan, Italy
  

Last week:

• Radiohead’s In Rainbows. Admittedly, I’ve never really gotten into Radiohead, the way Amy’s never gotten into Wilco. But I really liked this one. Four stars.
  
• Angels & Airwaves’ I-Empire. I was fully prepared to hate it, but it was merely okay. There are some decent moments, but it feels too … processed and commercial … for my tastes. Two-and-a-half stars.
  
• 18 Jul 1990 [New York, NY, USA] concert bootleg of Uncle Tupelo. A fun, fun listen from a by-gone era. Three stars.
  
• 4 Aug 1997 [Atlanta, GA, USA] concert bootleg of Counting Crows. I’m always tempted to give old recordings a break when I review them, but at the end of the day, well, if I rate them too highly, then I’ll have to listen to them too often in iTunes. [I listen to iTunes nearly exclusively in Party Shuffle mode.] This sounds like a bad FM radio broadcast from just slightly out of the coverage area—treble-heavy, static-y, and generally plain bad. One-and-a-half stars, but only because it’s Adam Duritz in his good years.
  
• 6 Jul 2002 [Bushnell, IL, USA] concert bootleg of Over the Rhine. I’m impressed that a six-year-old bootleg sounds this good. This is exactly how an AUD should sound, to my ears—a faithful representation of how the room sounded. Given that this took place under a tent at Cornerstone, it’s all the more impressive. Jeff, if you did record this, you deserve kudos, sir. Four stars.
  
• 16 Oct 2007 [Montréal, QC, Canada] concert bootleg of Spoon. Sadly, the recording is distant and indistinct. Two stars.
  
• 2 Mar 2008 [Nashville, TN, USA] concert bootleg of Wilco. Freakin’ Ryman and their no-recording rules. No wonder this recording stinks. One-and-a-half stars. [Seriously, I hate the Ryman for that. It's all stealth rigs. Nazis.]
  

• Radiohead’s In Rainbows. No, I didn’t buy/download this.
  
• Angels & Airwaves’ I-Empire. Fully prepared to hate it.
  
• 18 Jul 1990 [New York, NY, USA] concert bootleg of Uncle Tupelo. 1990-07-18: Live on Heat, National Public Radio, New York, NY, USA.
  
• 4 Aug 1997 [Atlanta, GA, USA] concert bootleg of Counting Crows. 1997-08-04: Chastain Park Amphitheater, Atlanta, GA, USA (disc 1) and 1997-08-04: Chastain Park Amphitheater, Atlanta, GA, USA (disc 2).
  
• 6 Jul 2002 [Bushnell, IL, USA] concert bootleg of Over the Rhine. Jeff thinks he’s who recorded this, but I can confirm that he took the photo that I used for the cover art. 2002-07-06: Cornerstone Festival, Bushnell, IL, USA.
  
• 16 Oct 2007 [Montréal, QC, Canada] concert bootleg of Spoon. 2007-10-16: Le National, Montréal, QC, Canada.
  
• 2 Mar 2008 [Nashville, TN, USA] concert bootleg of Wilco. A show I wish I’d seen live. 2008-03-02: Ryman Auditorium, Nashville, TN, USA.
  

Last week was a very good return to form:

• My Brightest Diamond’s A Thousand Shark’s Teeth. Nothing on A Thousand Shark’s Teeth ever grabbed me like “Golden Star” off of Bring Me the Workhorse did, but “Ice & The Storm” comes close. There’s no doubt that Shara Worden is quite ridiculously talented, but it feels on this one that she’s so there and I’m so … here, with little connection. All in all, it’s a solid effort, though. Three stars.
  
• Sigur Rós’s Með suð í eyrum við spilum endalaust. Brad asked me what I thought of the new Sigur Rós pretty quickly after GNM went up last week, so I sat down and listened to it on Sunday night [which watching baseball, which was quite the dissonant experience, I assure you]. It’s … definitely quite different from what I have of their catalogue to date. I understand the criticisms of it in terms of why people don’t like the more straightforward pop direction this album took, but I’m a firm believer that bands have to experiment lest they [and/or their fans] become totally bored with the thing. Style changes notwithstanding, it’s still very much Sigur Rós—I’d recognize Jónsi’s vocals anywhere—and that’s a good thing. Bands that don’t experiment don’t grow, and bands that don’t grow die. [Unless, of course, you're the Rolling Stones, but then Keith Richards has to be pickled from all the crap he's ingested over the years.] Three-and-a-half stars, and it could grow on me even more.
  
• 21 Apr 2002 [Toronto, ON, Canada] concert bootleg of Wilco. The set starts off with “Spiders (Kidsmoke)”, which is weird given their current sound. It’s also pre-Glenn and pre-Mikael, so it’s just an overall different feel—more straightforward than present-day Wilco [my favorite incarnation of the band]. This is a fine-sounding audience recording, which is great given its age [and how blessed we Wilco fans are with the fine rigs folks bring to shows these days]. I give it three stars.
  
• 14 Nov 2003 [Los Angeles, CA, USA] concert bootleg of Death Cab for Cutie. Thin, reedy, and distant. Two-and-a-half stars.
  
• 22 Apr 2005 [St. Paul, MN, USA] concert bootleg of M. Ward. The show starts out slow, and the recording is about a B-, but it’s enjoyable. Three-and-a-half stars.
  
• 5 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. The Canal Street Tavern is where I first saw OtR live, in a city I used to call home, so all those shows hold a special place in my heart. [I want to see a CST OtR show in 2008 or 2009 with Lara if she's still in Ohio then.] This is a fine, fine recording. Four stars.
  
• 4 May 2008 [Birmingham, AL, USA] concert bootleg of Derek Webb & Sandra McCracken. I wish that I’d gotten a board feed of this show, because the AT2021s don’t really get lows. Of course, this works fine for acoustic singer/songwriter-y stuff, but the end result still sounds a little thin. But it sounds pretty great. Three-and-a-half stars.
  

My Brightest Diamond’s A Thousand Shark’s Teeth.

Sigur Rós’s Með suð í eyrum við spilum endalaust.

21 Apr 2002 [Toronto, ON, Canada] concert bootleg of Wilco. 2002-04-21: Convocation Hall, University of Toronto, Toronto, ON, Canada.

14 Nov 2003 [Los Angeles, CA, USA] concert bootleg of Death Cab for Cutie. 2003-11-14: Henry Fonda Theater, Los Angeles, CA, USA.

22 Apr 2005 [St. Paul, MN, USA] concert bootleg of M. Ward. [Thanks to emdot for the use of her photo for this cover art.] 2005-04-22: Turf Club, St. Paul, MN, USA.

5 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2005-11-05: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2005-11-05: Canal Street Tavern, Dayton, OH, USA (disc 2).

4 May 2008 [Birmingham, AL, USA] concert bootleg of Derek Webb & Sandra McCracken. 2008-05-04: Workplay Theatre, Birmingham, AL, USA and 2008-05-04: Workplay Theatre, Birmingham, AL, USA.

Last week was abbreviated in an effort to catch up:

• Sloan’s Parallel Play. Three stars: almost three-and-a-half, but not quite. Fun power-pop, though.
  
• Eric Peters’s Bookmark. Two-and-a-half stars: it works as a tide-me-over album, which is what it was intended to be, best as I can tell. A worthy grab for EP fans and completionists.
  

• Death Cab for Cutie’s Narrow Stairs.
  
• 7 May 1999 [Chicago, IL, USA] concert bootleg of Wilco. I’m sneaking two in here to try to work off the backlog. 1999-05-07: Riviera Theater, Chicago, IL, USA (disc 1) and 1999-05-07: Riviera Theater, Chicago, IL, USA (disc 2).
  
• 3 Nov 2004 [Portland, OR, USA] concert bootleg of The Delgados. 2004-11-03: Music Millenium, Portland, OR, USA.
• 4 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2005-11-04: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2005-11-04: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 28 Sep 2006 [Santa Monica, CA, USA] concert bootleg of M. Ward. 2006-09-28: KCRW-FM, Santa Monica, CA, USA.
• 3 May 2008 [Nashville, TN, USA] concert bootleg of Derek Webb and Sandra McCracken. By my own hand! 2008-05-03: 3rd & Lindsley, Nashville, TN, USA and 2008-05-03: 3rd & Lindsley, Nashville, TN, USA.
  
• 5 May 2008 [Missoula, MT, USA] concert bootleg of Wilco. 2008-05-05: Harry Adams Center, University of Montana, Missoula, MT, USA (disc 1) and 2008-05-05: Harry Adams Center, University of Montana, Missoula, MT, USA (disc 2).

Two weeks ago turned out pretty well:

• Deb Talan’s Sincerely. A solid, four-star effort. The rendition of “How Will He Find Me” is the strongest track.
  
• City and Colour’s Bring Me Your Love. Another four-star release for me; “The Death of Me” and “Body in a Box” are both good little numbers.
  
• 4 Sep 1967 [West Hollywood, CA, USA] concert bootleg of Cream. Two-and-a-half stars, which is what I’d expect for a four-decade-old recording.
  
• 27 Aug 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. Four stars; “The World Can Wait” and “Firefly” just sparkle. Fun between-song banter, too. It’s OtR with a hometown crowd—hard to beat that.
• 4 Feb 2006 [Malmö, Sweden] concert bootleg of Death Cab for Cutie. It starts a little slow, but they really fly in the second half of the concert. The renditions of “Crooked Teeth” and “What Sarah Said” are the best to my ears.
• 26 Mar 2008 [Melbourne, Australia] concert bootleg of Wilco. Three stars. I was terribly bored.
• 9 Apr 2008 [Louisville, KY, USA] concert bootleg of Son Volt. Two stars. Just not a good recording.

Deb Talan’s Sincerely, a live album that’s only available these days as a digital download.

City and Colour’s Bring Me Your Love, which I was introduced to by Adam.

4 Sep 1967 [West Hollywood, CA, USA] concert bootleg of Cream. 1967-09-04: Whiskey A Go-Go, West Hollywood, CA, USA (disc 1) and 1967-09-04: Whiskey A Go-Go, West Hollywood, CA, USA (disc 2).

27 Aug 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. 2005-08-27: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 1) and 2005-08-27: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 2).

4 Feb 2006 [Malmö, Sweden] concert bootleg of Death Cab for Cutie. 2006-02-04: Kulturbolaget, Malmö, SWE.

26 Mar 2008 [Melbourne, Australia] concert bootleg of Wilco. 2008-03-26: Palace Theatre, Melbourne, Australia (disc 1) and 2008-03-26: Palace Theatre, Melbourne, Australia (disc 2).

9 Apr 2008 [Louisville, KY, USA] concert bootleg of Son Volt. 2008-04-09: Headliners Music Hall, Louisville, KY, USA (disc 1) and 2008-04-09: Headliners Music Hall, Louisville, KY, USA (disc 2).

Last week:

• The Weepies’ Hideaway. This one did not grab me the way that Say I Am You did, but I’ve also not given it car/road trip time. I will be correcting that this weekend. Three-and-a-half stars, and I expect that’ll rise.
  
• Carole King’s Tapestry (Legacy Edition). This was a bit of an impulse buy, although it was well-regarded in last month’s Paste. Very much worth my money. Four stars.
  
• 18 Feb 1997 [Ottawa, ON, Canada] concert bootleg of Wilco. It’s hard to believe that this was recorded onto tape, at least for me. It sounds quite good! Three-and-a-half stars.
• 26 Aug 2005 [Lexington, KY, USA] concert bootleg of Over the Rhine. Oh my holy heck. This is a fine, fine, fine recording. If you like Ohio and Drunkard’s Prayer, GRAB IT. Four-and-a-half stars.
• 15 Mar 2008 [Austin, TX, USA] concert bootleg of M. Ward and Jim James. Sadly, during Matt’s solo stuff, the recording is very distant sounding, which is surprising for Church Audio cardioids; must’ve been a hard room to record. I give it three stars.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Derek Webb. I’m happy with how this one came out; I’m giving it four stars only because the songs off of The Ringing Bell really deserve to have a band behind them. I understand why that didn’t happen on this tour, but man … if Derek had been able to have Todd, Garett, Jeff, Josh, and Andrew backing him on these songs … that would have been awesome. Anyhow, some folks would probably like more of the SBD in this mix, but I’m a fan of how a recording actually sounds in a room. For those people, I’ve seeded the SBD and AUD recordings in their uncut forms on IndieRiver; they can do with it what they like.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Caedmon’s Call. The longer I think about this, the more I think about re-mastering it. It just could be better. That said, it’s decent. Three-and-a-half stars, mainly because of Andy O’s two killer guitar solos. That kid really can shred.
  

• The Weepies’ Hideaway.
  
• Carole King’s Tapestry (Legacy Edition). You can blame this one on me watching lots of Gilmore Girls episodes.
  
• 18 Feb 1997 [Ottawa, ON, Canada] concert bootleg of Wilco. 1997-02-18: The Cave, Ottawa, ON, Canada (disc 1) and 1997-02-18: The Cave, Ottawa, ON, Canada (disc 2).
• 26 Aug 2005 [Lexington, KY, USA] concert bootleg of Over the Rhine. 2005-08-26: The Dame, Lexington, KY, USA (disc 1) and 2005-08-26: The Dame, Lexington, KY, USA (disc 2).
• 15 Mar 2008 [Austin, TX, USA] concert bootleg of M. Ward and Jim James. 2008-03-15: St. David's Church, Austin, TX, USA and 2008-03-15: St. David's Church, Austin, TX, USA.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Derek Webb. Really happy with the ability to do SBD-AUD matrixes now. 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Caedmon’s Call. This one took a lot of work, because my feeds got slightly out of sync from time to time during the set, so I continually had to monitor for sync issues. Worth doing, though. I’ve got some ideas of how I’ll do that better next time. Could’ve spent more time mastering it, too. Ah well. 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA (disc 1) and 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA (disc 2).
  

Last week was good in the studio spots, meh otherwise:

• Deb Talan’s Something Burning. Unlike with her husband, I liked her sophomore release much better. This is good, but the melody is better on the next record. Two-and-a-half stars.
  
• Deb Talan’s A Bird Flies Out. Lots and lots of fun here. Three-and-a-half stars.
  
• 11 Jan 1997 [Chicago, IL, USA] concert bootleg of Jeff Tweedy. Pretty standard Tweedy solo fare of that era; nothing special. Two-and-a-half stars. The fun bit for me is the cover of “Thirteen”, which I’m used to hearing Elliott Smith do.
  
• 7 Jul 1999 [Stuttgart, Germany] concert bootleg of Wilco. Very meh. Two stars.
  
• 12 Aug 2002 [New York, NY, USA] concert bootleg of Coldplay. Sounds thin and reedy. Two-and-a-half stars.
  
• 25 Jun 2005 [Chicago, IL, USA] concert bootleg of Over the Rhine. Good mics, well-implemented. Feels sluggish, but that’s because the performance is slow and muted. Sometimes when OtR goes this way, it’s really cool, like listening to jazz with a good glass of $alcohol [I'd say wine, but I don't drink wine], and sometimes, it’s like this, just a tad too mellow. Three-and-a-half stars.
• 17 Apr 2006 [Toronto, ON, Canada] concert bootleg of Death Cab for Cutie. Sadly, an audience rig not up to the task. Two stars.