So Michael and Josh have asked for a list of my top 5-10 bootlegs in my collection via Twitter. Phew.

Click cover art where extant for the download links. If I don’t have a download link, well, I’ll go and see if I can find the CD and dig that up.

• 2003-09-04: McDonald Theatre, Eugene, OR, USA.
• 2006-10-09: Von Braun Center Concert Hall, Huntsville, AL, USA. This one, etree says it has, but it doesn’t, really. And it’s so good, so I need to find the CD and load it to Owl & Bear or something.
• 2007-06-26: Warsaw, New York, NY, USA.
• 2008-07-04: Roskilde Festival, Roskilde, Denmark. I’ve raved about this one before, but it’s great. And no, I don’t have a torrent source for it now, but I’ll try to find one…
• Andy Osenga: 2009-03-23: The Rutledge, Nashville, TN, USA. I believe you boys have this. I don’t have any record of it here on GFMorris.com. My bad.
• 31 Aug 2007 Over the Rhine show. 2007-08-31: Moonlite Gardens, Coney Island, Cincinnati, OH, USA
• 1998-06-02: Studion, Stockholm, Sweden
• 28 Sep 2000 Elliott Smith. 2000-09-28: L'Olympic, Nantes, France.
• . 1994-04-29: The Blue Note, Columbia, MO, USA. One of the last UT shows ever, and it fucking blows the doors off. This bootleg is almost old enough to drive, man.
• M. Ward on KEXP in Seattle. 2005-03-14: KEXP, Seattle, WA, USA. Short but sweet.
• . 2004-09-18: Butternut Ridge, North Olmsted, OH, USA.

This wouldn’t be a proper “here’s what I’ve been listening to” without a GeofCast episode, right? Listen while you read.

 

 Standard Podcast [20:27m]: Play Now | Play in Popup | Download

Let’s follow last year’s mojo:

• Date is in the range: 01 Jan 2009 – 25 Dec 2009. Any cutoff point is arbitrary, but this makes sense to me. I’ve been willfully listening to Christmas music lately, so this helps hold the list growth down.
• Kind does not contain AIFF [to filter out unprocessed bootlegs and demos].
• Album Rating is greater than three stars.
• Genre does not contain Concert Bootleg.

This list is unoptimized; it’s actually done in alphabetical order by artist. At the end, I’ll give a best-of list, countdown style. Because I like embracing constraints, I’ll give a one-sentence statement about each album as to why it’s just so darn good. If you’ve ever talked to me for longer than 90 seconds, you know that one sentence is an unreal constraint.

• The Silent Stars, Alli Rogers. A worthy follow-up to her 2008 Christmas EP, but with new tracks and more Alli goodness. The Silent Stars, Nov. 29.
• I and Love and You, The Avett Brothers. Glorious harmonies, well-crafted lyrics, and fine instrumentation: worth your purchase. I and Love and You, Sep 29.
• Noble Beast, Andrew Bird. Lush, dense, expertly-crafted pop/folk, with whistling. Noble Beast, Jan 20.
• Blood Bank, Bon Iver. A fun follow-up EP to his groundbreaking solo debut. Blood Bank Jan 20.
• Posthumous Success, Tom Brosseau. Less reedy pop/folk than he’s crafted in the past, but this modernization of his sound is still quite good. Posthumous Success, Jun 23.
• Oh, My Darling, Basia Bulat. Lovely pop songstress; bought this when I was after a girl who liked her music, too. Oh, My Darling, Feb 16.
• E.C. Was Here, Eric Clapton. Classic blues/rock from the master. E.C. Was Here, 15 Apr.
• Eric Clapton, Eric Clapton. More classic rock from a guitar god. Eric Clapton, Jun 4.
• Across a Wire: Live in New York, Counting Crows. Across a Wire: Live in New York City (disc 1: VH1 Storytellers) and Across a Wire: Live in New York City (disc 2: MTV Live From the 10 Spot), 31 Mar.
• The Hazards of Love, The Decemberists. Surprising for a major-label release, THoL returns our musical heroes to their literary roots to craft what lesser reviewers would call a concept album. The Hazards of Love, Mar 24.
• Hotel California, Eagles. Unlike The Dude, I do not hate the fuckin’ Eagles.Hotel California, Sep 6.
• Fleet Foxes, Fleet Foxes. Ridiculous harmonies, lush instrumentation.Fleet Foxes, Feb 7.
• Dirty Birds, Kat Flint. Red-haired songstresses always get me.Dirty Birds, Jan 30.
• Great Escape, Nick Flora and Film at Eleven. Nick isn’t just a friend—he’s a very good songwriter. Great Escape, Apr 2.
• A Kiss in Time, Patty Griffin. I love live music, and while Patty is anti-bootleg [booooo], this is good [yaaaaay]. A Kiss in Time, Mar 19.
• The Law of Gravity, Andy Gullahorn. I’m pre-disposed to love AG’s records, but this one really is good. The Law of Gravity, Dec 5.
• Around the Well, Iron & Wine. So, you’re looking at me, saying, “Really? A B-sides and rarities compilation?”, but it’s the second disc that just kills it—and Paul is right when he says Sam Beam compares to Elliott Smith and Nick Drake. Around the Well (disc 1) and Around the Well (disc 2), May 19.
• The Black Album, Jay-Z. I’m not hugely into hip-hop, but I like Jay. The Black Album, May 5.
• The Ultimate Blue Train, John Coltrane. Just a classic jazz album. The Ultimate Blue Train, Apr 18.
• Lie to Me, Jonny Lang. Bought this because I saw him live; feel like he’s better live, but good in the studio. Lie to Me, Apr 21.
• Three Flights from Alto Nido, Greg Laswell. Just plain good song-writing. Three Flights From Alto Nido, Jul 18.
• Blue Lines, Massive Attack. Portishead begat a love of trip-hop that I expect will extend into 2010 as I enforce my completionist ways. Blue Lines, Sep 22.
• The Luxury of Time, David Mead. Just plain solid songwriting, with a great pop voice to boot. The Luxury of Time, Nov 16.
• Jaydiohead, Minty Fresh Beats. Jay-Z and Radiohead, mixed together: yes, please! Jaydiohead, Apr 21.
• Monsters of Folk, Monsters of Folk. I think I have to make an obligatory Traveling Wilburys reference here; anyway, it’s got M. Ward, which means I was gonna buy it—and the album isn’t ill-titled. Monsters of Folk, Sep 30.
• The Sunset Tree, The Mountain Goats. Honest, heartfelt songwriting, honestly sung. The Sunset Tree, Feb 22.
• Z, My Morning Jacket. I love putting this record on when I need to rock out to something smooth. Z, Jan 4.
• Bleach, Nirvana. Yeah, I’m behind the times on this one. Bleach, Apr 19.
• Choosing Sides, Andrew Osenga. Get your copy fast!—Andy only printed 500 of them. Choosing Sides, Dec 14.
• Letters to the Editor, Vol. I and II, Andrew Osenga. Who cares that he put these songs out for free—they’re worth buying. Letters to the Editor, Vols. I & II, didn’t get blogged about this year.
• Live from Nowhere, Volume Four, Over the Rhine. It’s a great live record, and keeps you going between increasingly-distant OtR albums. Live From Nowhere, Volume Four (disc 1) and Live From Nowhere, Volume Four (disc 2), Aug 17.
• Chrome, Eric Peters. Eric Peters’s music rips right through my guts and makes me think. Chrome, .
• Behold the Lamb of God (10th Anniversary Edition), Andrew Peterson. A new turn on a classic record. Behold the Lamb of God (10th Anniversary Edition) (disc 1) and Behold the Lamb of God (10th Anniversary Edition) (disc 2), Dec 15.
• That Kind of Love, Pierce Pettis. Northeast Alabama’s best musical act [move over, Alabama] does it again. That Kind of Love, Apr 2.
• The Dark Side of the Moon, Pink Floyd. Yeah, I’m as surprised as you are that I didn’t own this before 2009. The Dark Side of the Moon, Jan 1.
• Dummy, Portishead. My addiction to trip hop would be annoying if I didn’t live alone; instead, it’s kinda awesome. Dummy, Jan 10.
• Kid A, Radiohead. I’m a completionist, but it’s a great record. Kid A, Jan 16.
• Rook, Shearwater. Makes me think of a warm blanket on a cold evening. Rook, Feb 21.
• Dial M, Starflyer 59. Buying J.R.’s top ten CDs turned out to be a great endeavor. Dial M, Mar 29.
• April, Sun Kil Moon. Wonderful late-night music. April, Feb 23.
• Strict Joy, The Swell Season. It’s as good as people have told you. Strict Joy, Nov 2.
• Illinoize, Tor. Sufjan Stevens’s music, mixed with rap—kinda awesome. Illinoize, not blogged.
• Dear Science, TV on the Radio. I don’t know how to begin to describe them, but I like them. Dear Science, Mar 27.
• Hold Time, M. Ward. Not as good as his earlier stuff, but still a great record. Hold Time, Feb 17.
• Stockholm Syndrome, Derek Webb. Worthy of the controversy. Stockholm Syndrome, which I had before it ever came out, natch.
• Wilco (The Album), Wilco. I’d buy a record of Jeff Tweedy reading the Chicago phone book. Wilco (The Album), Jun 28.

5. Wilco (The Album), Wilco. There are so many good songs on this album, but I thought I’d start with the opening track—it’s a treatise for the record and, frankly, for Wilco as a band at this point.
   

   Are you under the impression
   This isn’t your life?
   Do you dabble in depression?
   Is someone twisting a knife in your back?
   Are you being attacked?
   Oh, this is a fact that you need to know

   Oh

   Wilco
   Wilco
   Wilco will love you baby

   As someone who “dabbles in depression”, yeah, I love this track … and this album … and this band.
   

4. Letters to the Editor, Vol. I and II, Andrew Osenga. Yes, this is a compilation of tracks that he gave away for free; if you’re cheap, you can get Volume I and Volume II online still. But if you like it, buy the disc and support independent music. I chose “Staring Out a Window (My Confession)” because it just hits home for me.
   
3. Stockholm Syndrome, Derek Webb. Okay, you can argue that, as a friend of Derek’s and one of the three guys behind derekwebb.net, I’m predisposed to loving his music. You’re right. But this is a worthy buy for the following reasons: a) it tackles prickly issues of sexuality that most Christians are uncomfortable dealing with b) Fred Phelps gets made fun of c) it’s Derek and Josh Moore doing their best Gnarls Barkley impersonation, without sounding like a cheap knockoff and d) he says “shit” on the record and gets away with it. Sorta. I picked “The Spirit Vs. The Kick Drum” because it’s just a kickin’ little track.
   
2. The Hazards of Love, The Decemberists. Many long-time Decemberists fans [of which I cannot claim to be; I'm late to the game] would argue that they feared what being on a major record label would do to their music. But give Capitol all the credit in the world for letting Portland’s finest put out what lesser reviewers would call a concept album, and what I think of as “literature set to music”. The arc of this album is one unbroken story, and it’s just so well-done, with themes repeated and twisted as the album builds on itself. That makes it difficult to pick out one song, but I chose “The Rake’s Song” because that will tell you whether or not you’ll want to listen to the whole thing.
   
1. Noble Beast, Andrew Bird. I really thought that Armchair Apocrypha was going to be the apex of AB’s music for me. I didn’t think that he’d make a better record, but to my ears, he did with Noble Beast. Musically, it’s just so strong: songs with movement are just such a rarity in popular music these days that hearing tracks like “Masterswarm” is simply astonishing. It’s impossible for me to pick out a track I love the most, because I love them all, but I picked “Tenuousness” for this GeofCast episode.
   

If you made it this far, thanks!

Here goes nothin’. The GeofCast is designed to be the music I would play you if you came over to my house. Since my townhouse is small and the Internet is ginormous, I’ve created the GeofCast.

 

 Standard Podcast [43:50m]: Play Now | Play in Popup | Download

My model for this podcast is Steven Garrity’s Acts of Volition Radio, which has introduced me to some cool music. I hope to do the same.

Songlisting [and a bit of why I chose it]:

1. The first song is “Epistemology” from M. Ward’s latest album, Hold Time. Hold Time isn’t as highly-rated in my world as Matt’s last two albums, but that doesn’t mean it’s not great.
2. The most infectious song off the new eponymous Wilco album: “I’ll Fight”.
3. I next chose “The Snow Leopard” from Shearwater’s album Rook. I came across Rook from my friend and fellow Whiskerino J.R. Caines, who is my closest musical neighbor on Last.FM. Rook was one of his top-ten albums of 2008, so I gave it a shot, and I’m glad I did.
4. My favorite track from Iron & Wine’s recent demo and B-side vehicle, Around the Well, is “Love Vigilantes”. Often, these type of releases end up being so much filler between studio releases, but coming on the heels of The Shepherd’s Dog, this has some great tracks, and “Love Vigilantes” is in the top five songs I’ve heard in 2009.
5. I next chose “The Wanting Comes in Waves / Repaid” off of the epic new album from The Decemberists, The Hazards of Love. As it’s just one big sonic work of art, it’s hard to strip one song out from the entire thematic arc of the story, but I have. If you know me, you know I love Shara Worden’s vocals, and she makes an appearnce in this track.
6. There’s really no good way to follow that up, so I just took a massive left turn. One of the things I’ve come to in the last year are mashups, sonic creative destruction when multiple songs are put together. One of my favorite mashups to cross my ears in 2009 has been Jaydiohead from Minty Fresh Beats. Here’s the mashup titled “Dirt Off Your Android”.
7. Let’s go from hip-hop to trip-hop. Somehow I missed Portishead in the 1990s, when I was listening to really bad contemporary Christian music and far too much 311 for my own good. A friend was playing this as house music before a concert I was recording, and I whipped out my iPhone to fire up Shazam to find out what I was hearing. It was “Numb” from Portishead’s Dummy, and in case you missed it back then, too, here it is:
8. Hang on, folks, as I take another musical detour. This one takes us to the fields of Illinois, where songwriter Andrew Bird toils in solitude. His last effort, Armchair Apocrypha, was one of my favorites last year, so I jumped on his latest, Noble Beast, the moment it came out. Noble Beast focuses even more on musicality, providing depth and movement to his songs in an age when most music sounds the same at the end of the song as the beginning. To highlight this, I chose “Masterswarm”.
9. For this last track, I figured I’d throw my friends a bone and send out a [then-]unreleased track. Yes, I’m going to bend the good will of my friend Derek Webb and play one of the tracks off of his upcoming album, Stockholm Syndrome, that he hasn’t yet leaked to the world. If you like it, please buy the album so the wee bald man doesn’t kick my ass. Most of us will remember the case of the Jena Six, and the female in this song shares that spelling. Keep that in mind as you listen to
   “Jena & Jimmy”

iMix of GeofCast Episode 001

Please leave me comments, including whether you want show notes, links, etc. I have them to provide and will go back and update this post. Mainly now, I want to go to bed.

Update, 1149 Monday: The download option will now work. Myyyyyyy bad.
Update, 2053 Monday: Show notes added.

Yes, I’ve had this for a month, but now I have my physical copy. I’m still a sucker for physical media, because I wants all the bitses.

• Blind Faith’s eponymous album.
  
• Lenny Kravitz’s It Is Time for a Love Revolution.
  
• Matthew Perryman Jones’s Swallow the Sea, which I’ve been waiting for since … oh, about a half-hour after I first spun Throwing Punches in the Dark.
  
• 20 Jul 1995 [Nashville, TN, USA] concert bootleg of Wilco. 1995-07-20: Dancing in the District, Nashville, TN, USA
  
• 20 Apr 2004 [Minneapolis, MN, USA] concert bootleg of M. Ward, Jim James, and Conor Oberst. 2004-04-20: Pantages Theatre, Minneapolis, MN, USA (disc 1) and 2004-04-20: Pantages Theatre, Minneapolis, MN, USA (disc 2).
  
• 18 Nov 2006 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2006-11-18: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2006-11-18: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 1 Aug 2008 [Sugar Land, TX, USA] concert bootleg of Andy Gullahorn. 2008-08-01: Andrews Home, Sugar Land, TX, USA (disc 1) and 2008-08-01: Andrews Home, Sugar Land, TX, USA (disc 2).
  

Last week was very good to my ears:

• Nirvana’s Nevermind. Is there an album with a better opening than Nevermind? I mean, it’s a Led Zeppelin-esque tour de force to kick things off. Just fantastic. Four-and-a-half stars.
  
• The Cardigans’ Life. Still definitely in a pop vein, but it’s got a lot more groove behind Nina’s voice musically. Three stars.
  
• Over the Rhine’s Live From Nowhere, Volume Three. Worth the wait, as usual. Four-and-a-half stars. People, this is how you do it: put out a live album every year. Put a couple covers on it. Sell to your hardcore fans directly, and you’ll keep them happy.
  
• 16 Jul 2006 [Florence, MA, USA] concert bootleg of The Autumn Defense. I own Birds, Beasts, and Flowers, their half-and-half EP with Hem [because of the latter], but this is the first time I’ve given them a serious listen. I thought BBF was uninspiring for bringing people to Hem, and I think the same can be said for The Autumn Defense—I’ll be checking more out now. Three stars.
  
• 17 May 2008 [St. Louis, MO, USA] concert bootleg of Wilco. Nothing special. Three stars.
  
• 23 Jun 2008 [Santa Monica, CA, USA] concert bootleg of Death Cab for Cutie. A solid recording. Three-and-a-half stars.
  
• 22 Jul 2008 [San Diego, CA, USA] concert bootleg of Feist. A fantastic recording. Four stars.
  

• My Brightest Diamond’s A Thousand Shark’s Teeth.
  
• Sigur Rós’s Með suð í eyrum við spilum endalaust.
  
• 21 Apr 2002 [Toronto, ON, Canada] concert bootleg of Wilco. 2002-04-21: Convocation Hall, University of Toronto, Toronto, ON, Canada.
  
• 14 Nov 2003 [Los Angeles, CA, USA] concert bootleg of Death Cab for Cutie. 2003-11-14: Henry Fonda Theater, Los Angeles, CA, USA.
  
• 22 Apr 2005 [St. Paul, MN, USA] concert bootleg of M. Ward. [Thanks to emdot for the use of her photo for this cover art.] 2005-04-22: Turf Club, St. Paul, MN, USA.
  
• 5 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2005-11-05: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2005-11-05: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 4 May 2008 [Birmingham, AL, USA] concert bootleg of Derek Webb & Sandra McCracken. 2008-05-04: Workplay Theatre, Birmingham, AL, USA and 2008-05-04: Workplay Theatre, Birmingham, AL, USA.
  

Last week was abbreviated in an effort to catch up:

• Sloan’s Parallel Play. Three stars: almost three-and-a-half, but not quite. Fun power-pop, though.
  
• Eric Peters’s Bookmark. Two-and-a-half stars: it works as a tide-me-over album, which is what it was intended to be, best as I can tell. A worthy grab for EP fans and completionists.
  

Yeah, so uh … no new music last week. I’m in Delivery Mode, which means excess mental energy doesn’t get expended unless necessary. The only new studio release is something I actually don’t have my hands on yet, but will probably get this afternoon as I head to the office to work [told you it was busy]:

• Death Cab for Cutie’s Narrow Stairs.
  
• 7 May 1999 [Chicago, IL, USA] concert bootleg of Wilco. I’m sneaking two in here to try to work off the backlog. 1999-05-07: Riviera Theater, Chicago, IL, USA (disc 1) and 1999-05-07: Riviera Theater, Chicago, IL, USA (disc 2).
  
• 3 Nov 2004 [Portland, OR, USA] concert bootleg of The Delgados. 2004-11-03: Music Millenium, Portland, OR, USA.
• 4 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2005-11-04: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2005-11-04: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 28 Sep 2006 [Santa Monica, CA, USA] concert bootleg of M. Ward. 2006-09-28: KCRW-FM, Santa Monica, CA, USA.
• 3 May 2008 [Nashville, TN, USA] concert bootleg of Derek Webb and Sandra McCracken. By my own hand! 2008-05-03: 3rd & Lindsley, Nashville, TN, USA and 2008-05-03: 3rd & Lindsley, Nashville, TN, USA.
  
• 5 May 2008 [Missoula, MT, USA] concert bootleg of Wilco. 2008-05-05: Harry Adams Center, University of Montana, Missoula, MT, USA (disc 1) and 2008-05-05: Harry Adams Center, University of Montana, Missoula, MT, USA (disc 2).

Two weeks ago turned out pretty well:

• Deb Talan’s Sincerely. A solid, four-star effort. The rendition of “How Will He Find Me” is the strongest track.
  
• City and Colour’s Bring Me Your Love. Another four-star release for me; “The Death of Me” and “Body in a Box” are both good little numbers.
  
• 4 Sep 1967 [West Hollywood, CA, USA] concert bootleg of Cream. Two-and-a-half stars, which is what I’d expect for a four-decade-old recording.
  
• 27 Aug 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. Four stars; “The World Can Wait” and “Firefly” just sparkle. Fun between-song banter, too. It’s OtR with a hometown crowd—hard to beat that.
• 4 Feb 2006 [Malmö, Sweden] concert bootleg of Death Cab for Cutie. It starts a little slow, but they really fly in the second half of the concert. The renditions of “Crooked Teeth” and “What Sarah Said” are the best to my ears.
• 26 Mar 2008 [Melbourne, Australia] concert bootleg of Wilco. Three stars. I was terribly bored.
• 9 Apr 2008 [Louisville, KY, USA] concert bootleg of Son Volt. Two stars. Just not a good recording.

• Deb Talan’s Sincerely, a live album that’s only available these days as a digital download.
  
• City and Colour’s Bring Me Your Love, which I was introduced to by Adam.
  
• 4 Sep 1967 [West Hollywood, CA, USA] concert bootleg of Cream. 1967-09-04: Whiskey A Go-Go, West Hollywood, CA, USA (disc 1) and 1967-09-04: Whiskey A Go-Go, West Hollywood, CA, USA (disc 2).
  
• 27 Aug 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. 2005-08-27: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 1) and 2005-08-27: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 2).
• 4 Feb 2006 [Malmö, Sweden] concert bootleg of Death Cab for Cutie. 2006-02-04: Kulturbolaget, Malmö, SWE.
• 26 Mar 2008 [Melbourne, Australia] concert bootleg of Wilco. 2008-03-26: Palace Theatre, Melbourne, Australia (disc 1) and 2008-03-26: Palace Theatre, Melbourne, Australia (disc 2).
• 9 Apr 2008 [Louisville, KY, USA] concert bootleg of Son Volt. 2008-04-09: Headliners Music Hall, Louisville, KY, USA (disc 1) and 2008-04-09: Headliners Music Hall, Louisville, KY, USA (disc 2).

Last week:

• The Weepies’ Hideaway. This one did not grab me the way that Say I Am You did, but I’ve also not given it car/road trip time. I will be correcting that this weekend. Three-and-a-half stars, and I expect that’ll rise.
  
• Carole King’s Tapestry (Legacy Edition). This was a bit of an impulse buy, although it was well-regarded in last month’s Paste. Very much worth my money. Four stars.
  
• 18 Feb 1997 [Ottawa, ON, Canada] concert bootleg of Wilco. It’s hard to believe that this was recorded onto tape, at least for me. It sounds quite good! Three-and-a-half stars.
• 26 Aug 2005 [Lexington, KY, USA] concert bootleg of Over the Rhine. Oh my holy heck. This is a fine, fine, fine recording. If you like Ohio and Drunkard’s Prayer, GRAB IT. Four-and-a-half stars.
• 15 Mar 2008 [Austin, TX, USA] concert bootleg of M. Ward and Jim James. Sadly, during Matt’s solo stuff, the recording is very distant sounding, which is surprising for Church Audio cardioids; must’ve been a hard room to record. I give it three stars.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Derek Webb. I’m happy with how this one came out; I’m giving it four stars only because the songs off of The Ringing Bell really deserve to have a band behind them. I understand why that didn’t happen on this tour, but man … if Derek had been able to have Todd, Garett, Jeff, Josh, and Andrew backing him on these songs … that would have been awesome. Anyhow, some folks would probably like more of the SBD in this mix, but I’m a fan of how a recording actually sounds in a room. For those people, I’ve seeded the SBD and AUD recordings in their uncut forms on IndieRiver; they can do with it what they like.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Caedmon’s Call. The longer I think about this, the more I think about re-mastering it. It just could be better. That said, it’s decent. Three-and-a-half stars, mainly because of Andy O’s two killer guitar solos. That kid really can shred.
  

Surprisingly, I was able to hold out on listening to The Weepies’ new record until this week, despite having it Tuesday. Discipline, or something.

• The Weepies’ Hideaway.
  
• Carole King’s Tapestry (Legacy Edition). You can blame this one on me watching lots of Gilmore Girls episodes.
  
• 18 Feb 1997 [Ottawa, ON, Canada] concert bootleg of Wilco. 1997-02-18: The Cave, Ottawa, ON, Canada (disc 1) and 1997-02-18: The Cave, Ottawa, ON, Canada (disc 2).
• 26 Aug 2005 [Lexington, KY, USA] concert bootleg of Over the Rhine. 2005-08-26: The Dame, Lexington, KY, USA (disc 1) and 2005-08-26: The Dame, Lexington, KY, USA (disc 2).
• 15 Mar 2008 [Austin, TX, USA] concert bootleg of M. Ward and Jim James. 2008-03-15: St. David's Church, Austin, TX, USA and 2008-03-15: St. David's Church, Austin, TX, USA.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Derek Webb. Really happy with the ability to do SBD-AUD matrixes now. 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Caedmon’s Call. This one took a lot of work, because my feeds got slightly out of sync from time to time during the set, so I continually had to monitor for sync issues. Worth doing, though. I’ve got some ideas of how I’ll do that better next time. Could’ve spent more time mastering it, too. Ah well. 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA (disc 1) and 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA (disc 2).
  

Last week was good in the studio spots, meh otherwise:

• Deb Talan’s Something Burning. Unlike with her husband, I liked her sophomore release much better. This is good, but the melody is better on the next record. Two-and-a-half stars.
  
• Deb Talan’s A Bird Flies Out. Lots and lots of fun here. Three-and-a-half stars.
  
• 11 Jan 1997 [Chicago, IL, USA] concert bootleg of Jeff Tweedy. Pretty standard Tweedy solo fare of that era; nothing special. Two-and-a-half stars. The fun bit for me is the cover of “Thirteen”, which I’m used to hearing Elliott Smith do.
  
• 7 Jul 1999 [Stuttgart, Germany] concert bootleg of Wilco. Very meh. Two stars.
  
• 12 Aug 2002 [New York, NY, USA] concert bootleg of Coldplay. Sounds thin and reedy. Two-and-a-half stars.
  
• 25 Jun 2005 [Chicago, IL, USA] concert bootleg of Over the Rhine. Good mics, well-implemented. Feels sluggish, but that’s because the performance is slow and muted. Sometimes when OtR goes this way, it’s really cool, like listening to jazz with a good glass of $alcohol [I'd say wine, but I don't drink wine], and sometimes, it’s like this, just a tad too mellow. Three-and-a-half stars.
• 17 Apr 2006 [Toronto, ON, Canada] concert bootleg of Death Cab for Cutie. Sadly, an audience rig not up to the task. Two stars.

The new label releases this week are things I’d always meant to get but just hadn’t … probably because I needed some downtime to get them.

• Wilco’s Kicking Television.
  
• Son Volt’s Straightaways.
  
• 15 May 1997 [Portland, OR, USA] concert bootleg of Elliott Smith. 1997-05-15: EJ's, Portland, OR, USA
• Wilco’s Yankee Hotel Foxtrot engineering demos. [I figured I'd forego a true bootleg this week since I had a Wilco live record to digest.] Yankee Hotel Foxtrot Engineer Demos
• 5 Jun 2006 [Charlotte, NC, USA] concert bootleg of Over the Rhine. This is the second recording I ever made. 2006-06-05: The Neighborhood Theatre, Charlotte, NC, USA
  
• 29 Sep 2006 [Knoxville, TN, USA] concert bootleg of the Square Pegs in the Round. 2006-09-29: 7:00 p.m. show, New City Cafe, Knoxville, TN, USA (disc 1) and 2006-09-29: 7:00 p.m. show, New City Cafe, Knoxville, TN, USA (disc 2).
• 7 Jul 2007 [Hollywood, CA, USA] concert bootleg of Andrew Bird. 2007-07-07: Hollywood Bowl, Hollywood, CA, USA.
  

Last week:

• She and Him’s Volume One. I love it. There are spots where it wears on me a bit from sameness, but I’ll talk that more in the inaugural IJSMCast, I believe. Four stars.
  
• My Brightest Diamond’s Tear It Down. None of this was bad, but none of them were outstanding. Three stars.
  
• 6 May 1997 [Santa Monica, CA, USA] concert bootleg of Elliott Smith. I sit and listen to the interviews here, and I just want to give Elliott a hug. He sounds so down. But the recording is very good. Four stars.
• 1 Dec 2001 [Lynchburg, VA, USA] concert bootleg of Andrew Peterson. It’s solid but unspectacular. Three stars.
• 3 Jun 2006 [Atlanta, GA, USA] concert bootleg of Over the Rhine. This is my very first bootleg recording, and … it shows. Two stars. :cringe: But the solo on “When I Go” sounds pretty good.
  
• 17 Jan 2008 [Chicago, IL, USA] concert bootleg of Son Volt. After having a great Son Volt recording previously, this returned back to the “meh” realm. Two-and-a-half stars.
  
• 20 Feb 2008 [Chicago, IL, USA] concert bootleg of Wilco. A fantastic end to a fine, fine residency. Four-and-a-half stars.
  

This week sees a couple long-awaited studio releases for me: one that just hit the streets, and another that I just never got around to getting:

• She and Him’s Volume One. I love M. Ward, so you had to figure that I’d get his collaboration with Zooey Deschanel.
  
• My Brightest Diamond’s Tear It Down. I love Shara Worden’s voice, and I loved Bring Me the Workhorse. So, why not get an album of remixes of that album? Fun times.
  
• 6 May 1997 [Santa Monica, CA, USA] concert bootleg of Elliott Smith. 1997-05-06: Morning Becomes Eclectic, KCRW-FM, Santa Monica, CA, USA
• 1 Dec 2001 [Lynchburg, VA, USA] concert bootleg of Andrew Peterson. 2001-12-01: West Lynchburg Baptist Church, Lynchburg, VA, USA and 2001-12-01: West Lynchburg Baptist Church, Lynchburg, VA, USA.
• 3 Jun 2006 [Atlanta, GA, USA] concert bootleg of Over the Rhine. 2006-06-03: The Variety Playhouse, Atlanta, GA, USA (disc 1) and 2006-06-03: The Variety Playhouse, Atlanta, GA, USA (disc 2).
  
• 17 Jan 2008 [Chicago, IL, USA] concert bootleg of Son Volt. 2008-01-17: House of Blues, Chicago, IL, USA.
  
• 20 Feb 2008 [Chicago, IL, USA] concert bootleg of Wilco. Last night of the residency at the Riv. 2008-02-20: Riviera Theatre, Chicago, IL, USA (disc 1) and 2008-02-20: Riviera Theatre, Chicago, IL, USA (disc 2).
  

Last week:

• Alli Rogers’s You and the Evening Sky. Is it legal to say that you don’t like Don Chaffer’s production? [I kiddingly ask, but only because I have friends who are both fans and fellow musicians with the male half of Waterdeep, and well ... they all might string me up.] But I hear the production on “Carry a Light” and am … sorta turned off. But I guess I’m wrapped up in this visage of Alli as this guitar-bearing songstress … which she is, but that doesn’t stand up to being very interesting for 13 tracks on a CD, even for the best singer/songwriters. But it gets better from there; I really like what he does with the rest of the record. “At Sea” and “The Things We Can and Cannot Keep” are, for me, the highlights. Four stars.
  
• 30 Mar 1996 [New York, NY, USA] concert bootleg of Elliott Smith. Admittedly, I’m blessed with the awesomeness that is the present era of concert bootlegging, but even for the era and technology, this is a pretty meh show. Two stars.
• 18 Sep 2004 [North Olmsted, OH, USA] concert bootleg of The Weepies. Highly, highly recommended! Sounds fantastic, even for being a soundboard. [I typically find SBDs to be flat and lifeless.] Four-and-a-half stars.
  
• 4 May 2007 [Portland, OR, USA] concert bootleg of Andrew Bird. Oh my, this recording’s terrible. This is only recommended for completionists. Two stars, barely.
  
• 8 Jun 2007 [Nashville, TN, USA] concert bootleg of Over the Rhine. Noisy, indistinct, and overly bassy. One of these years, I’m gonna record them in that room and it’ll sound fantastic. Maybe I won’t have a terrible cough, either. Two-and-a-half stars.
  
• 5 Oct 2007 [London, England] concert bootleg of Son Volt. What the heck? A Son Volt bootleg that doesn’t suck? No matter what you think of the Uncle Tupelo breakup, Jeff clearly got the support of the killer tapers. But this recording sparkles, and it’s done with binaurals, which impresses me even more. Four stars.
• 19 Feb 2008 [Chicago, IL, USA] concert bootleg of Wilco. Nels Cline’s solo during “Impossible Germany” never fails to make me smile. Another solid recording from the Riv residency. Four stars.