The studio recordings are a smorgasboard, but the bootlegs are a salute to the Bay State. [Bleu is from Boston.]

• Feist’s Open Season.
  
• Alejandro Escovedo’s Real Animal.
  
• The Velvet Underground’s eponymous album.
  
• 15 Jun 2006 [Northampton, MA, USA] concert bootleg of Over the Rhine. 2006-06-15: Iron Horse Music Hall, Northampton, MA, USA.
  
• 24 Jun 2007 [Northampton, MA, USA] concert bootleg of Wilco. 2007-06-24: Pines Theater, Northampton, MA, USA (disc 1) and 2007-06-24: Pines Theater, Northampton, MA, USA (disc 2).
  
• 29 Jun 2007 [Nashville, TN, USA] concert bootleg of Sandra McCracken, Derek Webb, and Bleu. 2008-06-29: 12th and Porter, Nashville, TN, USA (disc 1) and 2008-06-29: 12th and Porter, Nashville, TN, USA (disc 2).
  
• 6 Aug 2008 [Boston, MA, USA] concert bootleg of Gnarls Barkley. 2008-08-06: Wilbur Theater, Boston, MA, USA
  

Last week was uneven, but the good stuff was very good:

• Sandra McCracken’s Red Balloon. Predictably, I love it. There are a couple moments on the record that I don’t get, but all in all, I think this lives up to the hype that Derek has been giving it. Four stars.
  
• Nirvana’s In Utero. Sadly, it doesn’t have the punch that Nevermind did, probably understandable as a sophomore major-label release. That, plus a dalliance into noise rock that I didn’t enjoy, got it two-and-a-half stars from me. The goods are great! The bads are … meh.
  
• Jackopierce’s Promise of Summer. Quite, quite enjoyable. A four-star record for me, and I’ll be getting more JP records from the back catalog. [See? Giving stuff away for free works.]
  
• 3 Feb 2006 [Las Vegas, NV, USA] concert bootleg of Coldplay. So meh. A distant recording from the audience, and … eh. Two-and-a-half stars.
  
• 26 Oct 2007 [New York, NY, USA] concert bootleg of Over the Rhine. Fan-fucking-tastic. Four-and-a-half stars. If you love OtR, get it. Go. Now. You. NOW.
  
• 17 Jul 2008 [London, England] concert bootleg of Death Cab for Cutie. Also kinda distant, but with a better base to start with. Three stars.
  
• 26 Jul 2008 [Anchorage, AK, USA] concert bootleg of Wilco. No, I didn’t pick this in honor of Sarah Palin. This is the band whose debut release was titled A.M.; sadly, it sounds like it was recorded from an AM broadcast: over-compressed, tinny, and muddled. An example: when the band does their Wall of Noise trick in the opening cut, “Via Chicago”, everything is … the same sound level. Jeff is clearly heard. This … just isn’t the way it ought to be at all. Having looked at the mic used in the recording, I’m guessing that this is the sound guy’s fault, or perhaps just crappy mains. But, you know, if I lived in Anchorage, I really wouldn’t give a shit, because Wilco rocks. The good thing is that we get two new songs out of it, and new songs? Always good. The rating is two stars.
  

• My Brightest Diamond’s A Thousand Shark’s Teeth.
  
• Sigur Rós’s Með suð í eyrum við spilum endalaust.
  
• 21 Apr 2002 [Toronto, ON, Canada] concert bootleg of Wilco. 2002-04-21: Convocation Hall, University of Toronto, Toronto, ON, Canada.
  
• 14 Nov 2003 [Los Angeles, CA, USA] concert bootleg of Death Cab for Cutie. 2003-11-14: Henry Fonda Theater, Los Angeles, CA, USA.
  
• 22 Apr 2005 [St. Paul, MN, USA] concert bootleg of M. Ward. [Thanks to emdot for the use of her photo for this cover art.] 2005-04-22: Turf Club, St. Paul, MN, USA.
  
• 5 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2005-11-05: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2005-11-05: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 4 May 2008 [Birmingham, AL, USA] concert bootleg of Derek Webb & Sandra McCracken. 2008-05-04: Workplay Theatre, Birmingham, AL, USA and 2008-05-04: Workplay Theatre, Birmingham, AL, USA.
  

Last week was abbreviated in an effort to catch up:

• Sloan’s Parallel Play. Three stars: almost three-and-a-half, but not quite. Fun power-pop, though.
  
• Eric Peters’s Bookmark. Two-and-a-half stars: it works as a tide-me-over album, which is what it was intended to be, best as I can tell. A worthy grab for EP fans and completionists.
  

Yeah, so uh … no new music last week. I’m in Delivery Mode, which means excess mental energy doesn’t get expended unless necessary. The only new studio release is something I actually don’t have my hands on yet, but will probably get this afternoon as I head to the office to work [told you it was busy]:

• Death Cab for Cutie’s Narrow Stairs.
  
• 7 May 1999 [Chicago, IL, USA] concert bootleg of Wilco. I’m sneaking two in here to try to work off the backlog. 1999-05-07: Riviera Theater, Chicago, IL, USA (disc 1) and 1999-05-07: Riviera Theater, Chicago, IL, USA (disc 2).
  
• 3 Nov 2004 [Portland, OR, USA] concert bootleg of The Delgados. 2004-11-03: Music Millenium, Portland, OR, USA.
• 4 Nov 2005 [Dayton, OH, USA] concert bootleg of Over the Rhine. 2005-11-04: Canal Street Tavern, Dayton, OH, USA (disc 1) and 2005-11-04: Canal Street Tavern, Dayton, OH, USA (disc 2).
  
• 28 Sep 2006 [Santa Monica, CA, USA] concert bootleg of M. Ward. 2006-09-28: KCRW-FM, Santa Monica, CA, USA.
• 3 May 2008 [Nashville, TN, USA] concert bootleg of Derek Webb and Sandra McCracken. By my own hand! 2008-05-03: 3rd & Lindsley, Nashville, TN, USA and 2008-05-03: 3rd & Lindsley, Nashville, TN, USA.
  
• 5 May 2008 [Missoula, MT, USA] concert bootleg of Wilco. 2008-05-05: Harry Adams Center, University of Montana, Missoula, MT, USA (disc 1) and 2008-05-05: Harry Adams Center, University of Montana, Missoula, MT, USA (disc 2).

Two weeks ago turned out pretty well:

• Deb Talan’s Sincerely. A solid, four-star effort. The rendition of “How Will He Find Me” is the strongest track.
  
• City and Colour’s Bring Me Your Love. Another four-star release for me; “The Death of Me” and “Body in a Box” are both good little numbers.
  
• 4 Sep 1967 [West Hollywood, CA, USA] concert bootleg of Cream. Two-and-a-half stars, which is what I’d expect for a four-decade-old recording.
  
• 27 Aug 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. Four stars; “The World Can Wait” and “Firefly” just sparkle. Fun between-song banter, too. It’s OtR with a hometown crowd—hard to beat that.
• 4 Feb 2006 [Malmö, Sweden] concert bootleg of Death Cab for Cutie. It starts a little slow, but they really fly in the second half of the concert. The renditions of “Crooked Teeth” and “What Sarah Said” are the best to my ears.
• 26 Mar 2008 [Melbourne, Australia] concert bootleg of Wilco. Three stars. I was terribly bored.
• 9 Apr 2008 [Louisville, KY, USA] concert bootleg of Son Volt. Two stars. Just not a good recording.

• Deb Talan’s Sincerely, a live album that’s only available these days as a digital download.
  
• City and Colour’s Bring Me Your Love, which I was introduced to by Adam.
  
• 4 Sep 1967 [West Hollywood, CA, USA] concert bootleg of Cream. 1967-09-04: Whiskey A Go-Go, West Hollywood, CA, USA (disc 1) and 1967-09-04: Whiskey A Go-Go, West Hollywood, CA, USA (disc 2).
  
• 27 Aug 2005 [Cincinnati, OH, USA] concert bootleg of Over the Rhine. 2005-08-27: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 1) and 2005-08-27: Moonlite Gardens, Coney Island, Cincinnati, OH, USA (disc 2).
• 4 Feb 2006 [Malmö, Sweden] concert bootleg of Death Cab for Cutie. 2006-02-04: Kulturbolaget, Malmö, SWE.
• 26 Mar 2008 [Melbourne, Australia] concert bootleg of Wilco. 2008-03-26: Palace Theatre, Melbourne, Australia (disc 1) and 2008-03-26: Palace Theatre, Melbourne, Australia (disc 2).
• 9 Apr 2008 [Louisville, KY, USA] concert bootleg of Son Volt. 2008-04-09: Headliners Music Hall, Louisville, KY, USA (disc 1) and 2008-04-09: Headliners Music Hall, Louisville, KY, USA (disc 2).

Last week:

• The Weepies’ Hideaway. This one did not grab me the way that Say I Am You did, but I’ve also not given it car/road trip time. I will be correcting that this weekend. Three-and-a-half stars, and I expect that’ll rise.
  
• Carole King’s Tapestry (Legacy Edition). This was a bit of an impulse buy, although it was well-regarded in last month’s Paste. Very much worth my money. Four stars.
  
• 18 Feb 1997 [Ottawa, ON, Canada] concert bootleg of Wilco. It’s hard to believe that this was recorded onto tape, at least for me. It sounds quite good! Three-and-a-half stars.
• 26 Aug 2005 [Lexington, KY, USA] concert bootleg of Over the Rhine. Oh my holy heck. This is a fine, fine, fine recording. If you like Ohio and Drunkard’s Prayer, GRAB IT. Four-and-a-half stars.
• 15 Mar 2008 [Austin, TX, USA] concert bootleg of M. Ward and Jim James. Sadly, during Matt’s solo stuff, the recording is very distant sounding, which is surprising for Church Audio cardioids; must’ve been a hard room to record. I give it three stars.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Derek Webb. I’m happy with how this one came out; I’m giving it four stars only because the songs off of The Ringing Bell really deserve to have a band behind them. I understand why that didn’t happen on this tour, but man … if Derek had been able to have Todd, Garett, Jeff, Josh, and Andrew backing him on these songs … that would have been awesome. Anyhow, some folks would probably like more of the SBD in this mix, but I’m a fan of how a recording actually sounds in a room. For those people, I’ve seeded the SBD and AUD recordings in their uncut forms on IndieRiver; they can do with it what they like.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Caedmon’s Call. The longer I think about this, the more I think about re-mastering it. It just could be better. That said, it’s decent. Three-and-a-half stars, mainly because of Andy O’s two killer guitar solos. That kid really can shred.
  

Surprisingly, I was able to hold out on listening to The Weepies’ new record until this week, despite having it Tuesday. Discipline, or something.

• The Weepies’ Hideaway.
  
• Carole King’s Tapestry (Legacy Edition). You can blame this one on me watching lots of Gilmore Girls episodes.
  
• 18 Feb 1997 [Ottawa, ON, Canada] concert bootleg of Wilco. 1997-02-18: The Cave, Ottawa, ON, Canada (disc 1) and 1997-02-18: The Cave, Ottawa, ON, Canada (disc 2).
• 26 Aug 2005 [Lexington, KY, USA] concert bootleg of Over the Rhine. 2005-08-26: The Dame, Lexington, KY, USA (disc 1) and 2005-08-26: The Dame, Lexington, KY, USA (disc 2).
• 15 Mar 2008 [Austin, TX, USA] concert bootleg of M. Ward and Jim James. 2008-03-15: St. David's Church, Austin, TX, USA and 2008-03-15: St. David's Church, Austin, TX, USA.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Derek Webb. Really happy with the ability to do SBD-AUD matrixes now. 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA.
  
• 4 Apr 2008 [Dyersburg, TN, USA] concert bootleg of Caedmon’s Call. This one took a lot of work, because my feeds got slightly out of sync from time to time during the set, so I continually had to monitor for sync issues. Worth doing, though. I’ve got some ideas of how I’ll do that better next time. Could’ve spent more time mastering it, too. Ah well. 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA (disc 1) and 2008-04-04: Dyersburg State Community College, Dyersburg, TN, USA (disc 2).
  

Last week was good in the studio spots, meh otherwise:

• Deb Talan’s Something Burning. Unlike with her husband, I liked her sophomore release much better. This is good, but the melody is better on the next record. Two-and-a-half stars.
  
• Deb Talan’s A Bird Flies Out. Lots and lots of fun here. Three-and-a-half stars.
  
• 11 Jan 1997 [Chicago, IL, USA] concert bootleg of Jeff Tweedy. Pretty standard Tweedy solo fare of that era; nothing special. Two-and-a-half stars. The fun bit for me is the cover of “Thirteen”, which I’m used to hearing Elliott Smith do.
  
• 7 Jul 1999 [Stuttgart, Germany] concert bootleg of Wilco. Very meh. Two stars.
  
• 12 Aug 2002 [New York, NY, USA] concert bootleg of Coldplay. Sounds thin and reedy. Two-and-a-half stars.
  
• 25 Jun 2005 [Chicago, IL, USA] concert bootleg of Over the Rhine. Good mics, well-implemented. Feels sluggish, but that’s because the performance is slow and muted. Sometimes when OtR goes this way, it’s really cool, like listening to jazz with a good glass of $alcohol [I'd say wine, but I don't drink wine], and sometimes, it’s like this, just a tad too mellow. Three-and-a-half stars.
• 17 Apr 2006 [Toronto, ON, Canada] concert bootleg of Death Cab for Cutie. Sadly, an audience rig not up to the task. Two stars.

When you perform
It’s so intense
When the critics pan
I write in your defense

I understand I am just a fan
I’m just a fan

Wilco, “The Lonely 1“, Being There

Andrew wrote about going to see Sixpence None the Richer play on Sunday night in Nashville, and a good chunk of what he wrote resonated with me.

I’ve lived here for eleven years and I’ve had the real honor of working with just about everybody I listened to in high school who’s not dead or in U2, Pink Floyd or the Beatles. It’s shocking and amazing at first, but it wears off and you realize they’re just dudes like you, and the magic fades away a little bit.

Except for this band Sixpence. I don’t care. I just freaking love them. They’re one of my favorites. They always have been and they always will be. I’ve played a few things with Matt, mostly at Andy P’s Christmas shows, and Leigh sang on the first Normals record. But somehow, they never faded to me. I’m a fan. And I love it.

Despite it all, Caedmon’s Call is still that way for me. [Derek or Andy solo? Not so much. Both of those are very much old hat, to the point that if either asked me to sing BGVs or something during a show, I wouldn't be intimidated.] Every show is still pretty special for me, because the music takes me back to a far more formative period of my life. I connect to it in ways that really only I know about, because I’ve never talked about with anyone in the band. [Unlike, say, some of Andrew's stuff.]

Another thing I want to note here: I try to maintain a certain distance with Over the Rhine. I freaking love them, and while I guess there are chances for me to get to know them—and they’re certainly inviting of those opportunities—I really just want to remain a fan. Unlike most of the shows of bands I attend whenever they’re in my area, I go to those shows, make my recording, take my photos, and go the hell home. No waiting for two hours after the show to talk to the band [because we want to talk to each other, but I'm willing to wait out the other fans] or anything. I just watch the show, capture it, go home, and revel in the remembrance later. I like that.

I think I set the trend with OtR when, at the first show I attended, Rick and I sat right along the walkway from the green room to the stage. Didn’t talk to them then … probably won’t in the future.

Tank of gas to drive to and from Nashville: $45
Round trip ticket to PHL from BNA: $203
Nine hours of a rental car [a Saturn VUE, which drove like a wounded manatee compared to my WRX ... DO NOT WANT]: $93, including refueling
Philly cheesesteak: FREE, but only because Gary bought my dinner. [Great to meet everyone on that trip, but I won't lie, I really wanted to finally meet Gary and his wife.]
Number of hours slept from Saturday morning forward until Monday evening: 6.5
Number of hours slept on airplanes: 2.5
Number of hours slept in the breezeway outside Terminal D at PHL: 0.5
Number of hours slept on Monday night before waking up, unable to return to sleep, leading me to come out here and blog this: 5
Number of times I have cursed the inability to sleep until my 0545 alarm: 9 (so far)
Number of week taken off of my life as a result of this trip: Unknown, but probably six
Hearing Derek and Danielle power through “Climb On (A Back That’s Strong)”: PRICELESS

That was fun, but I really don’t want to do it again anytime soon. But like Bryan said in a forum post yesterday: if that’s the last Caedmon’s Call show I ever see, I can die a happy man.

[Yes, I recorded it. Yes, I'm releasing it. This is just a busy week.]

I’ve had a lot of fun conversations this week [and it's just Tuesday]. My favorite was today with my boss.

“Oh, hey, I’m gonna be late on the 25th.”

“What is that?”

“Monday, the week we ship [the hardware job we're shipping on Friday that week].”

“Oh, I don’t think that’ll be a big deal. Where ya gonna be?”

“Well … I’ll start the morning in Philadelphia, and I’ll be in Nashville by 0815 and here by 1030 or so.”

And the fun thing is that my boss didn’t even bat an eyelash. He … well, he knows I’m insane.

Indeed, I am: after two hockey games that weekend, I’ll drive to Nashville Sunday morning, hop a plane to PHL, land, get a rental, drive almost to Trenton, New Jersey, watch Caedmon’s Call in concert [and hang out with Bryan and Mark, which is reason enough to go in and of itself], chill with the band after the show, then mosey back down to PHL and fly home first thing Monday morning.

Won’t be the first time I’ve grabbed a little shuteye at an airport before winging my way back home and then to the office.

Yeah, I’m insane. But this is how I roll. [And I have new camera equipment to roll with! My Canon EF 28mm f/2.8 showed up yesterday, and my EF 85mm f/1.8 USM arrived today. My mics show up, well, whenever Sound Professionals gets off their duffs and ships it to me.] And yes, I’ll have more equipment than other baggage.

One of my photos from Derek’s show at the Exit/In back in May is now a part of Schmap’s guide to the venue. Why? Well, all my photos are Creative Commons-licensed as Attribution-Noncommercial-Share Alike.

Derek Webb (and band) @ Exit/In

That said, I’ve had no problems with photos being used in quasi-commercial work; not only has Bryan used photos of mine in layouts for [derekwebb.net] and [andrewosenga.net], but Andrew used one of my photos for the link to the [andrewosenga.net] forum that he has on his sidebar. And if someone wanted to use one of my works commercially, well, I’d do it for a fee.
I feel like I’m starting to find my way with my photography, although concert photography is really still the only thing that really cranks my tractor. Last night, I dumped the photos off of my camera from last Saturday night’s DW show, and I was really happy with what I was seeing come out from the thumbnail view, which I hardly ever am. I guess Understanding Exposure took a little for me.

IMG_2240.JPG

Originally uploaded by Geof F. Morris.

It wasn’t the best-kept secret ever, but … Derek Webb recorded with Caedmon’s Call for their upcoming album.

Yep.

I took a bunch of photos when I was in the studio, and they’re available in a photoset on Flickr. But Derek and Andy, together? This is a beautiful sight to my eyes. It’s great to see this, for me. You may not feel the same way, and you know … that’s okay with me.

IMG_2732.JPG

Originally uploaded by Geof F. Morris.

Well, as I’m doing 24 Hours of Flickr, my mind is on photos, so I took some time to sort photos for the 19 Apr 2007 Derek Webb show down in Birmingham.

I love that the UCF House had some color-changing on their lighting system—it gave me reason to take more photos than I might normally take. I love how the blues and the greens came out in this set. Now if I’d only had a 105mm lens, I might have had some even better shots … ah well.

What a day.

Woke up, went to hit Pancake Pantry with Andy O. Can’t raise Andy on the phone. [No big.] See the Sunday-morning-level line outside, decide to bolt. Hit Cracker Barrel at, amusingly, the exit right by Osenga’s house. Fuel up on Southern breakfast, hit the road.

Now, the truck had been a little hard to start the last couple of days, and I was also hearing some belt squeal—but only very, very intermittently and for very short periods. No worries, really.

Around mile marker 30 on I-65 southbound, any additional current draw—such as running my wipers—drops off the XM Radio. My brain starts to think, “Alternator issues,” as I’d just had those back in August. I say to Bryan, “Okay, we’re going to take a detour on our way down. We have plenty of time, and I want to get this checked out.” He agrees, as we do have lots of time.

11:58. We past Exit 22 at Pulaski, TN. My battery light comes on. “Alternator issues, I say.” I crest the ridge past the exit. I glance at my temperature gauge. Holy shit! I hit the heater and crack my window, slowing the vehicle. It continues to spike, I pull onto the shoulder. I shut down the engine, come to a stop, and … GOOSH! Steam. Not knowing that it’s only steam, I tell Bryan to grab everything valuable and throw it in the bed of the truck, and we do. After a minute or two, it’s clearly coolant containment loss. :sigh:

I call my insurance company to have them get me a wrecker. The wrecker comes after a half-hour wait, and we get to his shop. Hearing my symptoms, the mechanic checks … no alternator belt. It clearly broke off without us noticing, which caused all the issues. How is this related to the coolant? The same belt also turns the water pump. No circ, no activce cooling, and … BLAMMO. Mechanic fixes belt, thinking that this is the only issue, and it’s just and overflow or something. [Given how it spouted steam, I thought that perhaps a hose let go.] After more work, he finds the culprit … a crack in the radiator, one that has clearly grown significantly as it has cooled. Bryan has photos.

So, when it was the belt, I thought I was home free … I’d get it fixed, take the bill to the people who just did that work 60 days ago, and demand an explanation and compensation. I’ll still be doing that, but …

New tires.
New battery.
New alternator.
New radiator.

This truck is wearing out.

I’m fixing the truck to improve its resale value [a running truck beats a non-running truck], and … I expect to not drive it more than 7-10 days longer.

The radiator wasn’t in stock in Pulaski, so the truck is there, and we rented a car and came on to Birmingham. We’re now in Cullman, having driven most of the way home so that we can have it easy in the morning. I’ll drive Bry to the airport, head in to the office, do a few things, then head back to Pulaski and settle up on the truck and get it back to Huntsville [and the rental back in under 24 hours].

:sigh: Good show, though.

Well, it’s been a fun day so far. We got out of town late [not gonna talk about that, because it's boring and confidential anyway]. Got to Nashville a little after 1:00 p.m., hit up the Osenga, met up with him, Randall Goodgame, and Jeremy Casella for lunch at Monell’s. Frankly, it’s ten hours later and I’m really not that hungry. It was … AWESOME. Family-style dining, and really good Southern food. [Thankfully, my cardiologist doesn't read this blog. And yes, Mom, I ate plenty of veggies.]

The afternoon was spent with the lovely Katy Bowser, where I shot some photos that she might end up using on her site. Good times.

After that, Bry and I met up with Casella again at Bongo Java East and shot the breeze over some coffee. I would love to encapsulate that conversation, but it was so wide-ranging that I’d never attempt it. Afterwards, Jer played some of his new disc, which is gonna own. Seriously. This is not the music that you expect from Casella.

We’ve driven around a while, but now we’ve landed at a Nashville spot for a beer with Mr. Webb. Enjoying the wireless and the company, although Derek just busted me for blogging instead of talking. [But to be fair, it was him and Bry talking until Erica called.] Crazy day, and the night is still young!

I’m fairly sure that this will be the last overnight trip I do anywhere in 2006 outside of the holidays, so I’m looking forward to it. Despite running [caedmonscall.net] for four years [and working for the band for a few months, Bryan has never been to Nashville. For shame! So, we are rectifying that situmation, heading up to Nashvegas today and down to Birmingham tomorrow to cause trouble when Derek Webb and Don Miller get together. We have the most tentative of plans, and we’re just gonna roll with it and have a great time.

Okay, time to get moving this morning…

Last night was the first in a series of three straight Square Peg Alliance shows at the Radio Cafe in Nashville. Saturday, Caedmon’s plays MSMSMUW, and Rick and I (and maybe Jon!) are going.

I think this trumps last year’s Eight Days of Awesome.